Gather the stars if you wish it so.
Gather the songs and keep them.
Gather the faces of women.
Gather for keeping years and years.
And then . . .
Loosen your hands, let go and say good-by.
Let the stars and songs go.
Let the faces and years go.
Loosen your hands and say good-by.
For a woman's face remembered as a spot of quick light
on the flat land of dark night,
For this memory of one mouth and a forehead they go
on in the gray rain and the mud, they go on among
the boots and guns.
The horizon ahead is a thousand fang flashes, it is a row
of teeth that bite on the flanks of night, the horizon
sings of a new kill and a big kill.
The horizon behind is a wall of dark etched with a
memory, fixed with a woman's face — they fight on
and on, boots in the mud and heads in the gray
rain — for the women they hate and the women they
love — for the women they left behind, they fight on.
The monotone of the rain is beautiful,
And the sudden rise and slow relapse
Of the long multitudinous rain.
The sun on the hills is beautiful,
Or a captured sunset sea-flung,
Bannered with fire and gold.
A face I know is beautiful —
With fire and gold of sky and sea,
And the peace of long warm rain.
Passers-by,
Out of your many faces
Flash memories to me
Now at the day end
Away from the sidewalks
Where your shoe soles traveled
And your voices rose and blent
To form the city's afternoon roar
Hindering an old silence.
Passers-by,
I remember lean ones among you,
Throats in the clutch of a hope,
Lips written over with strivings,
Mouths that kiss only for love,
Records of great wishes slept with,
Held long
While the hum and the hurry
Of passing footfalls
Beat in my ear like the restless surf
Of a wind-blown sea,
A soul came to me
Out of the look on a face.
Eyes like a lake
Where a storm-wind roams
Caught me from under
The rim of a hat.
I thought of a midsea wreck and bruised fingers clinging to a broken state-room door.
Style — go ahead talking about style.
You can tell where a man gets his style just
as you can tell where Pavlowa got her legs
or Ty Cobb his batting eye.
Go on talking.
Only don't take my style away.
It's my face.
Maybe no good
but anyway, my face.
I talk with it, I sing with it, I see, taste and feel with it,
I know why I want to keep it.
Kill my style
and you break Pavlowa's legs,
and you blind Ty Cobb's batting eye.
Faces of two eternities keep looking at me.
One is Omar Khayam and the red stuff
wherein men forget yesterday and to-morrow
and remember only the voices and songs,
the stories, newspapers and fights of today.
One is Louis Cornaro and a slim trick
of slow, short meals across slow, short years,
letting Death open the door only in slow, short
inches.
I have a neighbor who swears by Omar.
I have a neighbor who swears by Cornaro.
Both are happy.
Faces of two eternities keep looking at me.
Let them look.
My Love is male and proper-man
And what he'd have he'd get by chase.
So I must cheat as women can
And keep my love from off my face.
'Tis folly to my dawning, thrifty thought
That I must run, who in the end am caught.
Because there was no wind.
The smoke of your letters hung in the air
For a long time ;
And its shape
Was the shape of your face.
My Beloved.