I CAME from the country
With flowers,
Larkspur and roses,
Fretted lilies
In their leaves,
And long, cool lavender.
I carried them
From house to house.
And cried them
Down hot streets.
The sun fell
Upon my flowers.
And the dust of the streets
Blew over my basket.
That night
I slept upon the open seats
Deborah danced, when she was two,
As buttercups and daffodils do ;
Spirited, frail, naively bold,
Her hair a ruffled crest of gold.
And whenever she spoke her voice went singing
Like water up from a fountain springing.
But now her step is quiet and slow;
She walks the way primroses go;
Her hair is yellow instead of gilt.
Her voice is losing its lovely lilt,
And in place of her wild, delightful ways
A quaint precision rules her days.
For Deborah now is three, and oh.
She knows so much that she did not know.
Those hours, that with gentle work did frame
The lovely gaze where every eye doth dwell,
Will play the tyrants to the very same
And that unfair which fairly doth excel;
For never-resting time leads summer on
To hideous winter, and confounds him there;
Sap checked with frost, and lusty leaves quite gone,
Beauty o'er-snowed and bareness every where:
Then were not summer's distillation left,
A liquid prisoner pent in walls of glass,
Beauty's effect with beauty were bereft,
Nor it, nor no remembrance what it was:
But flowers distill'd, though they with winter meet,
Leese but their show; their substance still lives sweet.
The forward violet thus did I chide:
Sweet thief, whence didst thou steal thy sweet that smells,
If not from my love's breath? The purple pride
Which on thy soft cheek for complexion dwells
In my love's veins thou hast too grossly dy'd.
The lily I condemned for thy hand,
And buds of marjoram had stol'n thy hair;
The roses fearfully on thorns did stand,
One blushing shame, another white despair;
A third, nor red nor white, had stol'n of both,
And to his robbery had annex'd thy breath;
But, for his theft, in pride of all his growth
A vengeful canker eat him up to death.
More flowers I noted, yet I none could see,
But sweet, or colour it had stol'n from thee.
Ancient Castle of the Mains,
With your romantic scenery and surrounding plains,
Which seem most beautiful to the eye,
And the little rivulet running by,
Which the weary traveller can drink of when he feels dry.
And the heaven's breath smells sweetly there,
And scented perfumes fill the air,
Emanating from the green trees and beautiful wild flowers growing there.
There the people can enjoy themselves
And wile away the time,
By admiring the romantic scenery In the beautiful sunshine;
And pull the little daisy,
As they carelessly recline
Upon the grassy green banks,
Which is most charming to see,
Near by the Castle of the Mains,
Bonnie Mary, the Maid o' the Tay,
Come! Let's go, and have a holiday
In Newport, on the braes o' the silvery Tay,
'Twill help to drive dull care away.
The scenery there is most enchanting to be seen,
Especially the fine mansions with their shrubbery green;
And the trees and ivy are beautiful to view
Growing in front of each stately home in the avenue.
There the little birds and beautiful butterflies
Are soaring heavenwards almost to the skies,
And the busy bees are to be seen on the wing,
As from flower to flower they hummingly sing,
As they gather honey all the day,
From flowery gardens of Newport on the braes o' the Tay.
And as we view the gardens our hearts will feel gay
Merry, merry sparrow!
Under leaves so green
A happy blossom
Sees you, swift as arrow,
Seek your cradle narrow,
Near my bosom.
Pretty, pretty robin!
Under leaves so green
A happy blossom
Hears you sobbing, sobbing,
Pretty, pretty robin,
Near my bosom.
The melancholy days are come, the saddest of the year,
Of wailing winds, and naked woods, and meadows brown and sere.
Heaped in the hollows of the grove, the autumn leaves lie dead;
They rustle to the eddying gust, and to the rabbit's tread;
The robin and the wren are flown, and from the shrubs the jay,
And from the wood-top calls the crow through all the gloomy day.
Where are the flowers, the fair young flowers, that lately sprang and stood
In brighter light and softer airs, a beauteous sisterhood?
Alas! they all are in their graves, the gentle race of flowers
Are lying in their lowly beds, with the fair and good of ours.
The rain is falling where they lie, but the cold November rain
WHEN daisies pied and violets blue,
And lady-smocks all silver-white,
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men; for thus sings he,
Cuckoo!
Cuckoo, cuckoo!--O word of fear,
Unpleasing to a married ear!
When shepherds pipe on oaten straws,
And merry larks are ploughmen's clocks,
When turtles tread, and rooks, and daws,
And maidens bleach their summer smocks
The cuckoo then, on every tree,
Mocks married men; for thus sings he,
Cuckoo!
When daisies pied, and violets blue,
And lady-smocks all silver-white,
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!
Cuckoo, cuckoo!' O word of fear,
Unpleasing to a married ear.
When shepherds pipe on oaten straws,
And merry larks are ploughmen's clocks,
When turtles tread, and rooks, and daws,
And maidens bleach their summer smocks,
The cuckoo then, on every tree,
Mocks married men, for thus sings he:
'Cuckoo!
Beautiful Hill o' Balgay,
With your green frees and flowers fair,
'Tis health for the old and young
For to be walking there,
To breathe the fragrant air
Emanating from the green bushes
And beautiful flowers there,
Then they can through the burying-ground roam,
And read the epitaphs on the tombstones
Before they go home.
There the lovers can wander safe arm in arm,
For policemen are there to protect them from harm
And to watch there all day,
So that no accident can befall them
In the Hill o' Balgay.
Then there's Harry Scott's mansion,
God scatters beauty as he scatters flowers
O'er the wide earth, and tells us all are ours.
A hundred lights in every temple burn,
And at each shrine I bend my knee in turn.