Oh, to be in England
Now that April's there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England--now!
And after April, when May follows,
And the white-throat builds, and all the swallows!
Hark I where my blossomed pear tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops--at the bent spray's edge--
That's the wise thrush; he sings each song twice over,
Lest you should think he never could recapture
The first fine careless rapture!
The fountains mingle with the river
And the rivers with the Ocean,
The winds of Heaven mix for ever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine?--
See the mountains kiss high Heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth
If thou kiss not me?
The world is dreary,
And I am weary
Of wandering on without thee, Mary;
A joy was erewhile
In thy voice and thy smile,
And 'tis gone, when I should be gone too, Mary.
I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright:
I arise from dreams of thee,
And a spirit in my feet
Hath led me--who knows how?
To thy chamber window, Sweet!
The wandering airs they faint
On the dark, the silent stream--
The Champak odours fail
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart;--
As I must on thine,
Oh, beloved as thou art!
O the old wall here! How I could pass
Life in a long midsummer day,
My feet confined to a plot of grass,
My eyes from a wall not once away!
And lush and lithe do the creepers clothe
Yon wall I watch, with a wealth of green:
Its bald red bricks draped, nothing loath,
In lappets of tangle they laugh between.
Now, what is it makes pulsate the robe?
Why tremble the sprays? What life o'erbrims
The body,--the house no eye can probe,--
Divined, as beneath a robe, the limbs?
And there again! But my heart may guess
Who tripped behind; and she sang, perhaps:
So the old wall throbbed, and its life's excess
Died out and away in the leafy wraps.
WHEN dear Clarinda, 1 matchless fair,
First struck Sylvander’s raptur’d view,
He gaz’d, he listened to despair,
Alas! ’twas all he dared to do.
Love, from Clarinda’s heavenly eyes,
Transfixed his bosom thro’ and thro’;
But still in Friendships’ guarded guise,
For more the demon fear’d to do.
That heart, already more than lost,
The imp beleaguer’d all perdue;
For frowning Honour kept his post—
To meet that frown, he shrunk to do.
His pangs the Bard refused to own,
Tho’ half he wish’d Clarinda knew;
But Anguish wrung the unweeting groan—
Who blames what frantic Pain must do?
To thirst and find no fill--to wail and wander
With short unsteady steps--to pause and ponder--
To feel the blood run through the veins and tingle
Where busy thought and blind sensation mingle;
To nurse the image of unfelt caresses
Till dim imagination just possesses
The half-created shadow, then all the night
Sick...
Yet look on me--take not thine eyes away,
Which feed upon the love within mine own,
Which is indeed but the reflected ray
Of thine own beauty from my spirit thrown.
Yet speak to me--thy voice is as the tone
Of my heart's echo, and I think I hear
That thou yet lovest me; yet thou alone
Like one before a mirror, without care
Of aught but thine own features, imaged there;
And yet I wear out life in watching thee;
A toil so sweet at times, and thou indeed
Art kind when I am sick, and pity me...
My faint spirit was sitting in the light
Of thy looks, my love;
It panted for thee like the hind at noon
For the brooks, my love.
Thy barb whose hoofs outspeed the tempest's flight
Bore thee far from me;
My heart, for my weak feet were weary soon,
Did companion thee.
Ah! fleeter far than fleetest storm or steed
Or the death they bear,
The heart which tender thought clothes like a dove
With the wings of care;
In the battle, in the darkness, in the need,
Shall mine cling to thee,
Nor claim one smile for all the comfort, love,
It may bring to thee.
It may be misery not to sing at all,
And to go silent through the brimming day;
It may be misery never to be loved,
But deeper griefs than these beset the way.
To sing the perfect song,
And by a half-tone lost the key,
There the potent sorrow, there the grief,
The pale, sad staring of Life's Tragedy.
To have come near to the perfect love,
Not the hot passion of untempered youth,
But that which lies aside its vanity,
And gives, for thy trusting worship, truth.
This, this indeed is to be accursed,
For if we mortals love, or if we sing,
We count our joys not by what we have,
But by what kept us from that perfect thing.
The western wind is blowing fair
Across the dark AEgean sea,
And at the secret marble stair
My Tyrian galley waits for thee.
Come down! the purple sail is spread,
The watchman sleeps within the town,
O leave thy lily-flowered bed,
O Lady mine come down, come down!
She will not come, I know her well,
Of lover's vows she hath no care,
And little good a man can tell
Of one so cruel and so fair.
True love is but a woman's toy,
They never know the lover's pain,
And I who loved as loves a boy
Must love in vain, must love in vain.
Inter marmoreas Leonorae pendula colles
Fortunata nimis Machina dicit horas.
Quas MANIBUS premit illa duas insensa papillas
Cur mihi sit DIGITO tangere, amata, nefas?