Now thou hast loved me one whole day,
Tomorrow when thou leav'st, what wilt thou say?
Wilt thou then antedate some new made vow?
Or say that now
We are not just those persons, which we were?
Or, that oaths made in reverential fear
Of Love, and his wrath, any may forswear?
Or, as true deaths, true marriages untie,
So lovers' contracts, images of those,
Bind but till sleep, death's image, them unloose?
Or, your own end to justify,
For having purposed change, and falsehood, you
Can have no way but falsehood to be true?
Vain lunatic, against these 'scapes I could
Dispute, and conquer, if I would,
Which I abstain to do,
Ask not the cause why sullen spring
So long delays her flow'rs to bear;
Why warbling birds forget to sing,
And winter storms invert the year?
Chloris is gone; and Fate provides
To make it spring where she resides.
Chloris is gone, the cruel fair;
She cast not back a pitying eye:
But left her lover in despair,
To sigh, to languish, and to die:
Ah, how can those fair eyes endure
To give the wounds they will not cure!
Great god of Love, why hast thou made
A face that can all hearts command,
That all religions can invade,
And change the laws of ev'ry land?
Dear love, for nothing less than thee
Would I have broke this happy dream;
It was a theme
For reason, much too strong for phantasy:
Therefore thou waked'st me wisely; yet
My dream thou brok'st not, but continued'st it.
Thou art so truth that thoughts of thee suffice
To make dreams truths, and fables histories.
Enter these arms, for since thou thought'st it best
Not to dream all my dream, let's act the rest.
As lightning or a taper's light,
Thine eyes, and not thy noise, waked me;
Yet I thought thee
(For thou lov'st truth) an angel at first sight;
But when I saw thou saw'st my heart,
And knew'st my thoughts, beyond an angels art,
Why should a foolish marriage vow,
Which long ago was made,
Oblige us to each other now,
When passion is decayed?
We loved, and we loved, as long as we could,
Till our love was loved out in us both;
But our marriage is dead when the pleasure is fled:
'Twas pleasure first made it an oath.
If I have pleasures for a friend,
And farther love in store,
What wrong has he whose joys did end,
And who could give no more?
'Tis a madness that he should be jealous of me,
Or that I should bar him of another;
For all we can gain is to give ourselves pain,
When neither can hinder the other.
Farewell, ungrateful traitor!
Farewell, my perjur'd swain!
Let never injur'd woman
Believe a man again.
The pleasure of possessing
Surpasses all expressing,
But 'tis too short a blessing,
And love too long a pain.
'Tis easy to deceive us
In pity of your pain,
But when we love, you leave us
To rail at you in vain.
Before we have descried it,
There is no joy beside it,
But she that once has tried it
Will never love again.
No spring nor summer Beauty hath such grace
As I have seen in one autumnall face.
Young beauties force our love, and that's a rape,
This doth but counsel, yet you cannot 'scape.
If 'twere a shame to love, here 'twere no shame,
Affection here takes Reverence's name.
Were her first years the Golden Age; that's true,
But now she's gold oft tried, and ever new.
That was her torrid and inflaming time,
This is her tolerable Tropique clime.
Fair eyes, who asks more heat than comes from hence,
He in a fever wishes pestilence.
Call not these wrinkles, graves; if graves they were,
They were Love's graves; for else he is no where.
Yet lies not Love dead here, but here doth sit
Vowed to this trench, like an Anachorit.
Father, part of his double interest
Unto thy kingdom, thy Son gives to me,
His jointure in the knotty Trinity
He keeps, and gives to me his death's conquest.
This Lamb, whose death with life the world hath blest,
Was from the world's beginning slain, and he
Hath made two Wills which with the Legacy
Of his and thy kingdom do thy Sons invest.
Yet such are thy laws that men argue yet
Whether a man those statutes can fulfil;
None doth; but all-healing grace and spirit
Revive again what law and letter kill.
Thy law's abridgement, and thy last command
Is all but love; Oh let this last Will stand!
Mary, leave thy lowly cot
When thy thickest jobs are done;
When thy friends will miss thee not,
Mary, to the pastures run.
Where we met the other night
Neath the bush upon the plain,
Be it dark or be it light,
Ye may guess we'll meet again.
Should ye go or should ye not,
Never shilly-shally, dear.
Leave your work and leave your cot,
Nothing need ye doubt or fear:
Fools may tell ye lies in spite,
Calling me a roving swain;
Think what passed the other night--
I'll be bound ye'll meet again.
O I will walk with you, my lad, whichever way you fare,
You'll have me, too, the side o' you, with heart as light as air;
No care for where the road you take's a-leadin' anywhere,--
It can but be a joyful ja'nt whilst you journey there.
The road you take's the path o' love, an' that's the bridth o' two--
An' I will walk with you, my lad -- O I will walk with you.
Ho! I will walk with you, my lad,
Be weather black or blue
Or roadsides frost or dew, my lad --
O I will walk with you.
Aye, glad, my lad, I'll walk with you, whatever winds may blow,
Or summer blossoms stay our steps, or blinding drifts of snow;
The way thay you set face an' foot 's the way that I will go,
How sweet it were, if without feeble fright,
Or dying of the dreadful beauteous sight,
An angel came to us, and we could bear
To see him issue from the silent air
At evening in our room, and bend on ours
His divine eyes, and bring us from his bowers
News of dear friends, and children who have never
Been dead indeed,--as we shall know forever.
Alas! we think not what we daily see
About our hearths,--angels that are to be,
Or may be if they will, and we prepare
Their souls and ours to meet in happy air;--
A child, a friend, a wife whose soft heart sings
In unison with ours, breeding its future wings.
Lo! in the painted oriel of the West,
Whose panes the sunken sun incarnadines,
Like a fair lady at her casement, shines
The evening star, the star of love and rest!
And then anon she doth herself divest
Of all her radiant garments, and reclines
Behind the sombre screen of yonder pines,
With slumber and soft dreams of love oppressed.
O my beloved, my sweet Hesperus!
My morning and my evening star of love!
My best and gentlest lady! even thus,
As that fair planet in the sky above,
Dost thou retire unto thy rest at night,
And from thy darkened window fades the light.
Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupation,
That is know as the children's hour.
I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.
From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.
A whisper and then a silence:
Yet I know by their merry eyes,
They are plotting and planning together,
To take me by surprise.