THE PROLOGUE.
"No more of this, for Godde's dignity!"
Quoth oure Hoste; "for thou makest me
So weary of thy very lewedness,
That, all so wisly God my soule bless,
Mine eares ache for thy drafty speech.
Now such a rhyme the devil I beteche:
This may well be rhyme doggerel," quoth he.
"Why so?" quoth I; "why wilt thou lette me
More of my tale than any other man,
Since that it is the best rhyme that I can?"
"By God!" quoth he, "for, plainly at one word,
Thy drafty rhyming is not worth a tord:
Thou dost naught elles but dispendest time.
Sir, at one word, thou shalt no longer rhyme.
Let see whether thou canst tellen aught in gest,
Forbidden fruit a flavor has
That lawful orchards mocks;
How luscious lies the pea within
The pod that Duty locks!
The Butterfly's Assumption Gown
In Chrysoprase Apartments hung
This afternoon put on --
How condescending to descend
And be of Buttercups the friend
In a New England Town --
Touch lightly Nature's sweet Guitar
Unless thou know'st the Tune
Or every Bird will point at thee
Because a Bard too soon --
Prudence Mears hath an old blue plate
Hid away in an oaken chest,
And a Franklin platter of ancient date
Beareth Amandy Baker's crest;
What times soever I've been their guest,
Says I to myself in an undertone:
"Of womenfolk, it must be confessed,
These do I love, and these alone."
Well, again, in the Nutmeg State,
Dorothy Pratt is richly blest
With a relic of art and a land effete--
A pitcher of glass that's cut, not pressed.
And a Washington teapot is possessed
Down in Pelham by Marthy Stone--
Think ye now that I say in jest
"These do I love, and these alone?"
Keep me, I pray, in wisdom's way
That I may truths eternal seek;
I need protecting care to-day,--
My purse is light, my flesh is weak.
So banish from my erring heart
All baleful appetites and hints
Of Satan's fascinating art,
Of first editions, and of prints.
Direct me in some godly walk
Which leads away from bookish strife,
That I with pious deed and talk
May extra-illustrate my life.
But if, O Lord, it pleaseth Thee
To keep me in temptation's way,
I humbly ask that I may be
Most notably beset to-day;
It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.
There's really not much harm in a
Large number of his carmina,
But these people find alarm in a
Few records of his acts;
So they'd squelch the muse caloric,
And to students sophomoric
They d present as metaphoric
What old Horace meant for facts.
Of this worlds theatre in which we stay,
My love like the spectator ydly sits
Beholding me that all the pageants play,
Disguysing diversly my troubled wits.
Sometimes I joy when glad occasion fits,
And mask in myrth lyke to a comedy:
Soone after when my joy to sorrow flits,
I waile and make my woes a tragedy.
Yet she, beholding me with constant eye,
Delights not in my merth nor rues my smart:
But when I laugh she mocks, and when I cry
She laughs and hardens evermore her heart.
What then can move her? if nor merth nor mone,
She is no woman, but a senceless stone.
"Seldom we find," says Solomon Don Dunce,
"Half an idea in the profoundest sonnet.
Through all the flimsy things we see at once
As easily as through a Naples bonnet--
Trash of all trash!--how can a lady don it?
Yet heavier far than your Petrarchan stuff--
Owl-downy nonsense that the faintest puff
Twirls into trunk-paper the while you con it."
And, veritably, Sol is right enough.
The general tuckermanities are arrant
Bubbles--ephemeral and so transparent--
But this is, now--you may depend upon it--
Stable, opaque, immortal--all by dint
Of the dear names that lie concealed within't.
NO better Dog e'er kept his Master's Door
Than honest Snarl, who spar'd nor Rich nor Poor;
But gave the Alarm, when any one drew nigh,
Nor let pretended Friends pass fearless by:
For which reprov'd, as better Fed than Taught,
He rightly thus expostulates the Fault.
To keep the House from Rascals was my Charge;
The Task was great, and the Commission large.
Nor did your Worship e'er declare your Mind,
That to the begging Crew it was confin'd;
Who shrink an Arm, or prop an able Knee,
Or turn up Eyes, till they're not seen, nor see.
To Thieves, who know the Penalty of Stealth,
And fairly stake their Necks against your Wealth,
These are the known Delinquents of the Times,
BEhold, dear Mother, who was late our Fear,
Disarm'd and Harmless, I present you here;
The Tongue ty'd up, that made all Jury quake,
And which so often did our Greatness shake;
No Terror sits upon his Awful Brow,
Where Fierceness reign'd, there Calmness triumphs now;
As Lovers use, he gazes on my Face,
With Eyes that languish, as they sued for Grace;
Wholly subdu'd by my Victorious Charms,
See how his Head reposes in my Arms.
Come, joyn then with me in my just Transport,
Who thus have brought the Hermite to the Court.
Freedom, as every schoolboy knows,
Once shrieked as Kosciusko fell;
On every wind, indeed, that blows
I hear her yell.
She screams whenever monarchs meet,
And parliaments as well,
To bind the chains about her feet
And toll her knell.
And when the sovereign people cast
The votes they cannot spell,
Upon the pestilential blast
Her clamors swell.
For all to whom the power's given
To sway or to compel,
Among themselves apportion Heaven
And give her Hell.