Your hands, your hands,
Fall upon mine as waves upon the sands.
O, soft as moonlight on the evening rose,
That but to moonlight will its sweet unclose,
Your hands, your hands,
Fall upon mine, and my hands open as
That evening primrose opens when the hot hours pass.
Your hands, your hands,
They are like towers that in far southern lands
Look at pale dawn over gloom-valley'd miles,
White temple towers that gleam through mist at whiles.
Your hands, your hands,
With the south wind fall kissing on my brow,
And all past joy and future is summed in this great "Now!"
Afloat upon the tide one summer night,
Dreamily watching how the moonbeams bright
Made little broken rings of fairy light,
And vaguely lost in that half-conscious mood
That steals upon the sense in solitude,
I drifted near a shadowy island wood
Where all was silent, scarce a leaf was stirred-
So still the air — when suddenly I heard
The piercing, anguished cry as of a bird
In such distress it made the echoes ring
And set the startled silence quivering —
The wild appeal of some sweet feathered thing
In its extremity. And then a sound,
Half-muffled, faint, and all again was drowned
In silence inarticulate, profound.
I went my way; but that despairing cry,
Sewanee Hills of dear delight,
Prompting my dreams that used to be,
I know you are waiting me still tonight
By the Unika Range of Tennessee.
The blinking stars in endless space,
The broad moonlight and silvery gleams,
Tonight caress your wind-swept face,
And fold you in a thousand dreams.
Your far outlines, less seen than felt,
Which wind with hill propensities.
In moonlight dreams I see you melt
Away in vague immensities.
And, far away, I still can feel
Your mystery that ever speaks
Of vanished things, as shadows steal
Across your breast and rugged peaks.
Old gods are dead; their broken shrines are lying
Profaned with blood and trampled to the ground;
I see lost beauty with each sunset dying,
I hear lost music in each echoing sound.
Old gods are dead; triumphant stands the scoffer
Beside old altars where our offerings lay,--
False gods perhaps,--but what have you to offer
Who batter down old temples in a day?
Old gods are dead; but still the sunset lingers,
The moonlight still its store of treasure yields,
Dawn touches darkness with its magic fingers,
And bluebirds wing their flight across green fields,
The sea-tides ebb and flow, stars shine above,
And human hearts still long for human love.
"Tell me what you're doing over here, John Gorham,
Sighing hard and seeming to be sorry when you're not;
Make me laugh or let me go now, for long faces in the moonlight
Are a sign for me to say again a word that you forgot."--
"I'm over here to tell you what the moon already
May have said or maybe shouted ever since a year ago;
I'm over here to tell you what you are, Jane Wayland,
And to make you rather sorry, I should say, for being so."--
"Tell me what you're saying to me now, John Gorham,
Or you'll never see as much of me as ribbons any more;
I'll vanish in as many ways as I have toes and fingers,
And you'll not follow far for one where flocks have been before."--
We lack the courage to be where we are: --
We love too much to travel on old roads,
To triumph on old fields; we love too much
To consecrate the magic of dead things,
And yieldingly to linger by long walls
Of ruin, where the ruinous moonlight
That sheds a lying glory on old stones
Befriends us with a wizard's enmity.
Love, if I weep it will not matter,
And if you laugh I shall not care;
Foolish am I to think about it,
But it is good to feel you there.
Love, in my sleep I dreamed of waking,--
White and awful the moonlight reached
Over the floor, and somewhere, somewhere,
There was a shutter loose,--it screeched!
Swung in the wind,--and no wind blowing!--
I was afraid, and turned to you,
Put out my hand to you for comfort,--
And you were gone! Cold, cold as dew,
Under my hand the moonlight lay!
Love, if you laugh I shall not care,
But if I weep it will not matter,--
Ah, it is good to feel you there!
The moonlight and the leaves,
Bells, these.
With tongues of silence;
Chiming in silver, violet and green;
Ringing, rising, then falling on
The ground,
Set to weaving shadow-sounds
With the dark threads of sleep.
Like liquid gems pouring to a measure
Of perfume,
With shades of lavender tunes;
A dream-music of soundless sounds.
More than silence and sleep,
This bell melody
Of light, of air, and leaf,
Played by moon-bedimmed stars;
I lounge on the deck of the river-steamer,
Homeward bound with its load,
Churning from headland to headland,
Through moonlight and silence and dusk.
And the decks are alive with laughter and music and singing,
And I see the forms of the sleepers
And the shadowy lovers that lean so close to the rail,
And the romping children behind,
And the dancers amidships.
But high above us there in the gloom,
Where the merriment breaks like a wave at his feet,
Unseen of lover and dancer and me,
Is the Pilot, impassive and stern,
With his grim eyes watching the course.
See ! He trails his toes
Through the long streaks of moonlight.
And the nails of his fingers glitter :
They claw and flash among the tree-tops.
His lips suck at my open window.
And his breath creeps about my body
And lies in pools under my knees.
I can see his mouth sway and wobble.
Sticking itself against the window-jambs.
But the moonlight is bright on the floor,
Without a shadow.
Hark ! A hare is strangling in the forest.
And the wind tears a shutter from the wall.
Because the moonlight deceives
Therefore I love it.
Is it the tinkling of mandolins which disturbs you ?
Or the dropping of bitter-orange petals among the coffee-cups ?
Or the slow creeping of the moonlight between the olive-trees ?
Drop ! drop ! the rain
Upon the thin plates of my heart.
String your blood to chord with this music,
Stir your heels upon the cobbles to the rhythm of a dance-tune.
They have slim thighs and arms of silver ;
The moon washes away their garments ;
They make a pattern of fleeing feet in the branch shadows.
And the green grapes knotted about them
Burst as they press against one another.
The rain knocks upon the plates of my heart.
They are crumpled with its beating.
Would you drink only from your brains, Old Man ?