Poems on the topic: mortality

Poems on the topic “mortality” on Poets.by.

ContemplativeWilliam Shakespeare

Sonnet 15: When I consider every thing that grows

When I consider every thing that grows Holds in perfection but a little moment, That this huge stage presenteth nought but shows Whereon the stars in secret influence comment; When I perceive that men as plants increase, Cheered and checked even by the self-same sky, Vaunt in their youthful sap, at height decrease, And wear their brave state out of memory; Then the conceit of this inconstant stay Sets you most rich in youth before my sight, Where wasteful Time debateth with decay To change your day of youth to sullied night, And all in war with Time for love of you, As he takes from you, I engraft you new.
ContemplativeWilliam Shakespeare

Sonnet 13: O! that you were your self; but, love you are

O! that you were your self; but, love you are No longer yours, than you your self here live: Against this coming end you should prepare, And your sweet semblance to some other give: So should that beauty which you hold in lease Find no determination; then you were Yourself again, after yourself's decease, When your sweet issue your sweet form should bear. Who lets so fair a house fall to decay, Which husbandry in honour might uphold, Against the stormy gusts of winter's day And barren rage of death's eternal cold? O! none but unthrifts. Dear my love, you know, You had a father: let your son say so.
ContemplativeWilliam Shakespeare

Sonnet 6: Then let not winter's ragged hand deface

Then let not winter's ragged hand deface, In thee thy summer, ere thou be distill'd: Make sweet some vial; treasure thou some place With beauty's treasure ere it be self-kill'd. That use is not forbidden usury, Which happies those that pay the willing loan; That's for thy self to breed another thee, Or ten times happier, be it ten for one; Ten times thy self were happier than thou art, If ten of thine ten times refigur'd thee: Then what could death do if thou shouldst depart, Leaving thee living in posterity? Be not self-will'd, for thou art much too fair To be death's conquest and make worms thine heir.
SadWilliam Shakespeare

Sonnet 71: No longer mourn for me when I am dead

No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world with vilest worms to dwell: Nay, if you read this line, remember not The hand that writ it, for I love you so, That I in your sweet thoughts would be forgot, If thinking on me then should make you woe. O! if,--I say you look upon this verse, When I perhaps compounded am with clay, Do not so much as my poor name rehearse; But let your love even with my life decay; Lest the wise world should look into your moan, And mock you with me after I am gone.
ContemplativeWilliam Blake

The Fly

Little Fly, Thy summer's play My thoughtless hand Has brushed away. Am not I A fly like thee? Or art not thou A man like me? For I dance And drink, and sing, Till some blind hand Shall brush my wing. If thought is life And strength and breath And the want Of thought is death;
SadWilliam Topaz McGonagall

The Burning of the People's Variety Theatre, Aberdeen

'Twas in the year of 1896, and on the 30th of September, Which many people in Aberdeen will long remember; The burning of the People's Variety Theatre, in Bridge Place Because the fire spread like lightning at a rapid pace. The fire broke out on the stage, about eight o'clock, Which gave to the audience a very fearful shock; Then a stampede ensued, and a rush was made pell-mell, And in the crush, trying to get out, many people fell. The stage flies took fire owing to the gas Not having room enough by them to pass; And with his jacket Mr. Macaulay tried to put out the flame, But oh! horrible to relate, it was all in vain. Detective Innes, who was passing at the time of the fire,
ContemplativeWilliam Shakespeare

Sonnet 7: Lo! in the orient when the gracious light

Lo! in the orient when the gracious light Lifts up his burning head, each under eye Doth homage to his new-appearing sight, Serving with looks his sacred majesty; And having climb'd the steep-up heavenly hill, Resembling strong youth in his middle age, Yet mortal looks adore his beauty still, Attending on his golden pilgrimage: But when from highmost pitch, with weary car, Like feeble age, he reeleth from the day, The eyes, 'fore duteous, now converted are From his low tract, and look another way: So thou, thyself outgoing in thy noon: Unlook'd, on diest unless thou get a son.
ContemplativeWilliam Shakespeare

Sonnet 3: Look in thy glass and tell the face thou viewest

Look in thy glass and tell the face thou viewest Now is the time that face should form another; Whose fresh repair if now thou not renewest, Thou dost beguile the world, unbless some mother. For where is she so fair whose unear'd womb Disdains the tillage of thy husbandry? Or who is he so fond will be the tomb, Of his self-love to stop posterity? Thou art thy mother's glass and she in thee Calls back the lovely April of her prime; So thou through windows of thine age shalt see, Despite of wrinkles this thy golden time. But if thou live, remember'd not to be, Die single and thine image dies with thee.
ContemplativeWilliam Ernest Henley

Madam Life's a Piece in Bloom

Madam Life's a piece in bloom Death goes dogging everywhere: She's the tenant of the room, He's the ruffian on the stair. You shall see her as a friend, You shall bilk him once or twice; But he'll trap you in the end, And he'll stick you for her price. With his kneebones at your chest, And his knuckles in your throat, You would reason -- plead -- protest! Clutching at her petticoat; But she's heard it all before, Well she knows you've had your fun, Gingerly she gains the door, And your little job is done.
ContemplativeWilliam Ernest Henley

Ballade of Dead Actors

Where are the passions they essayed, And where the tears they made to flow? Where the wild humours they portrayed For laughing worlds to see and know? Othello's wrath and Juliet's woe? Sir Peter's whims and Timon's gall? And Millamant and Romeo? Into the night go one and all. Where are the braveries, fresh or frayed? The plumes, the armours -- friend and foe? The cloth of gold, the rare brocade, The mantles glittering to and fro? The pomp, the pride, the royal show? The cries of war and festival? The youth, the grace, the charm, the glow? Into the night go one and all.
ContemplativeWilliam Morris

Summer

Summer looked for long am I: Much shall change or e'er I die. Prithee take it not amiss Though I weary thee with bliss.
ContemplativeWalt Whitman

As the Time Draws Nigh.

1 AS the time draws nigh, glooming, a cloud, A dread beyond, of I know not what, darkens me. I shall go forth, I shall traverse The States awhile—but I cannot tell whither or how long; Perhaps soon, some day or night while I am singing, my voice will suddenly cease. 2 O book, O chants! must all then amount to but this? Must we barely arrive at this beginning of us?... And yet it is enough, O soul! O soul! we have positively appear’d—that is enough.

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