A MAN saw the whole world as a grinning skull and
cross-bones. The rose flesh of life shriveled from all
faces. Nothing counts. Everything is a fake. Dust to
dust and ashes to ashes and then an old darkness and a
useless silence. So he saw it all. Then he went to a
Mischa Elman concert. Two hours waves of sound beat
on his eardrums. Music washed something or other inside
him. Music broke down and rebuilt something or
other in his head and heart. He joined in five encores
for the young Russian Jew with the fiddle. When he
got outside his heels hit the sidewalk a new way. He
was the same man in the same world as before. Only
there was a singing fire and a climb of roses everlastingly
Sunday night and the park policemen tell each other it
is dark as a stack of black cats on Lake Michigan.
A big picnic boat comes home to Chicago from the peach
farms of Saugatuck.
Hundreds of electric bulbs break the night's darkness, a
flock of red and yellow birds with wings at a standstill.
Running along the deck railings are festoons and leaping
in curves are loops of light from prow and stern
to the tall smokestacks.
Over the hoarse crunch of waves at my pier comes a
hoarse answer in the rhythmic oompa of the brasses
playing a Polish folk-song for the home-comers.
There's a poet tombed in you,
Man of blood and iron!
There's a dreamer dead and buried
Deep beneath your cynic frown,
Deep beneath your toil!
And deep beneath my music,
There's a strong man stirs in me;
There's a ghost of blood and granite
Coffined in this madness
Carpentered of Song!
You live your day and drain it;
I weave my dream and lose it;
But the red blood lost in me awakens still at times,
At all your city's sky-line,
At all your roaring market-place,
At all its hum of power--
Remote, in some dim room,
On this dark April morning soft with rain,
I hear her pensive touch
Fall aimless on the keys,
And stop, and play again.
And as the music wakens
And the shadowy house is still,
How all my troubled soul cries out
For things I know not of!
Ah, keen the quick chords fall,
And weighted with regret,
Fade through the quiet rooms;
And warm as April rain
The strange tears fall,
And life in some way seems
Too deep to bear!
You are beautiful and faded
Like an old opera tune
Played upon a harpsichord;
Or like the sun-flooded silks
Of an eighteenth-century boudoir.
In your eyes
Smoulder the fallen roses of out-lived minutes,
And the perfume of your soul
Is vague and suffusing,
With the pungence of sealed spice-jars.
Your half-tones delight me,
And I grow mad with gazing
At your blent colours.
My vigour is a new-minted penny,
Which I cast at your feet.
Gather it up from the dust,
The neighbour sits in his window and plays the flute.
From my bed I can hear him,
And the round notes flutter and tap about the room,
And hit against each other,
Blurring to unexpected chords.
It is very beautiful,
With the little flute-notes all about me,
In the darkness.
In the daytime,
The neighbour eats bread and onions with one hand
And copies music with the other.
He is fat and has a bald head,
So I do not look at him,
But run quickly past his window.
There is always the sky to look at,
Or the water in the well!
A MAN made a symphony
Out of the chords of his soul.
The notes ran upon the air like flights of chickadees,
They gathered together and hung
As bees above a syringa bush.
They crowded and clicked upon one another
In a flurry of progression.
And crashed in the simultaneous magnificence
Of a grand finale.
All this he heard.
But the neighbors heard only the croak
Of a wheezy, second-hand flageolet.
Forced to seek another lodging
He took refuge under the arch of a bridge.
For the river below him might be convenient
Some day.
How oft when thou, my music, music play'st,
Upon that blessed wood whose motion sounds
With thy sweet fingers when thou gently sway'st
The wiry concord that mine ear confounds,
Do I envy those jacks that nimble leap,
To kiss the tender inward of thy hand,
Whilst my poor lips which should that harvest reap,
At the wood's boldness by thee blushing stand!
To be so tickled, they would change their state
And situation with those dancing chips,
O'er whom thy fingers walk with gentle gait,
Making dead wood more bless'd than living lips.
Since saucy jacks so happy are in this,
Give them thy fingers, me thy lips to kiss.
Sound the flute!
Now it's mute!
Bird's delight,
Day and night,
Nightingale,
In the dale,
Lark in sky,--
Merrily,
Merrily merrily, to welcome in the year.
Little boy,
Full of joy;
Little girl,
Sweet and small;
Cock does crow,
So do you;
Merry voice,
Music to hear, why hear'st thou music sadly?
Sweets with sweets war not, joy delights in joy:
Why lov'st thou that which thou receiv'st not gladly,
Or else receiv'st with pleasure thine annoy?
If the true concord of well-tuned sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering;
Resembling sire and child and happy mother,
Who, all in one, one pleasing note do sing:
Whose speechless song being many, seeming one,
Sings this to thee: 'Thou single wilt prove none.'
Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves, when he did sing:
To his music plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.
Everything that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or hearing, die.
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OR, from that Sea of Time,
Spray, blown by the wind—a double winrow-drift of weeds and shells;
(O little shells, so curious-convolute! so limpid-cold and voiceless!
Yet will you not, to the tympans of temples held,
Murmurs and echoes still bring up—Eternity’s music, faint and far,
Wafted inland, sent from Atlantica’s rim—strains for the Soul of the Prairies,
Whisper’d reverberations—chords for the ear of the West, joyously sounding
Your tidings old, yet ever new and untranslatable;)
Infinitessimals out of my life, and many a life,
(For not my life and years alone I give—all, all I give;)
These thoughts and Songs—waifs from the deep—here, cast high and dry,
Wash’d on America’s shores.
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