Holy-Rood, come forth and shield
Us i' th' city and the field;
Safely guard us, now and aye,
From the blast that burns by day;
And those sounds that us affright
In the dead of dampish night;
Drive all hurtful fiends us fro,
By the time the cocks first crow.
And like a dying lady, lean and pale,
Who totters forth, wrapped in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky East,
A white and shapeless mass--
The moon has a face like the clock in the hall;
She shines on thieves on the garden wall,
On streets and fields and harbour quays,
And birdies asleep in the forks of the trees.
The squalling cat and the squeaking mouse,
The howling dog by the door of the house,
The bat that lies in bed at noon,
All love to be out by the light of the moon.
But all of the things that belong to the day
Cuddle to sleep to be out of her way;
And flowers and children close their eyes
Till up in the morning the sun shall arise.
THE GLOOMY night is gath’ring fast,
Loud roars the wild, inconstant blast,
Yon murky cloud is foul with rain,
I see it driving o’er the plain;
The hunter now has left the moor.
The scatt’red coveys meet secure;
While here I wander, prest with care,
Along the lonely banks of Ayr.
The Autumn mourns her rip’ning corn
By early Winter’s ravage torn;
Across her placid, azure sky,
She sees the scowling tempest fly:
Chill runs my blood to hear it rave;
I think upon the stormy wave,
Where many a danger I must dare,
Far from the bonie banks of Ayr.
COME, my little children, here are songs for you;
Some are short and some are long, and all, all are new.
You must learn to sing them very small and clear,
Very true to time and tune and pleasing to the ear.
Mark the note that rises, mark the notes that fall,
Mark the time when broken, and the swing of it all.
So when night is come, and you have gone to bed,
All the songs you love to sing shall echo in your head.
I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright:
I arise from dreams of thee,
And a spirit in my feet
Hath led me--who knows how?
To thy chamber window, Sweet!
The wandering airs they faint
On the dark, the silent stream--
The Champak odours fail
Like sweet thoughts in a dream;
The nightingale's complaint,
It dies upon her heart;--
As I must on thine,
Oh, beloved as thou art!
SUPPOSED TO BE ADDRESSED TO WILLIAM GODWIN.
Mighty eagle! thou that soarest
O'er the misty mountain forest,
And amid the light of morning
Like a cloud of glory hiest,
And when night descends defiest
The embattled tempests' warning!
The cold earth slept below,
Above the cold sky shone;
And all around, with a chilling sound,
From caves of ice and fields of snow,
The breath of night like death did flow
Beneath the sinking moon.
The wintry hedge was black,
The green grass was not seen,
The birds did rest on the bare thorn's breast,
Whose roots, beside the pathway track,
Had bound their folds o'er many a crack
Which the frost had made between.
Thine eyes glowed in the glare
Of the moon's dying light;
As a fen-fire's beam on a sluggish stream
Gleams dimly, so the moon shone there,
LECHLADE, GLOUCESTERSHIRE.
The wind has swept from the wide atmosphere
Each vapour that obscured the sunset's ray;
And pallid Evening twines its beaming hair
In duskier braids around the languid eyes of Day:
Silence and Twilight, unbeloved of men,
Creep hand in hand from yon obscurest glen.
They breathe their spells towards the departing day,
Encompassing the earth, air, stars, and sea;
Light, sound, and motion own the potent sway,
Responding to the charm with its own mystery.
The winds are still, or the dry church-tower grass
Knows not their gentle motions as they pass.
Thou too, aereal Pile! whose pinnacles
Point from one shrine like pyramids of fire,
Obeyest in silence their sweet solemn spells,
Shall we roam, my love,
To the twilight grove,
When the moon is rising bright;
Oh, I'll whisper there,
In the cool night-air,
What I dare not in broad daylight!
I'll tell thee a part
Of the thoughts that start
To being when thou art nigh;
And thy beauty, more bright
Than the stars' soft light,
Shall seem as a weft from the sky.
When the pale moonbeam
On tower and stream
Sheds a flood of silver sheen,
How I love to gaze
Sweet star, which gleaming o'er the darksome scene
Through fleecy clouds of silvery radiance fliest,
Spanglet of light on evening's shadowy veil,
Which shrouds the day-beam from the waveless lake,
Lighting the hour of sacred love; more sweet
Than the expiring morn-star's paly fires:--
Sweet star! When wearied Nature sinks to sleep,
And all is hushed,--all, save the voice of Love,
Whose broken murmurings swell the balmy blast
Of soft Favonius, which at intervals
Sighs in the ear of stillness, art thou aught but
Lulling the slaves of interest to repose
With that mild, pitying gaze? Oh, I would look
In thy dear beam till every bond of sense
Became enamoured--
Ah! faint are her limbs, and her footstep is weary,
Yet far must the desolate wanderer roam;
Though the tempest is stern, and the mountain is dreary,
She must quit at deep midnight her pitiless home.
I see her swift foot dash the dew from the whortle,
As she rapidly hastes to the green grove of myrtle;
And I hear, as she wraps round her figure the kirtle,
'Stay thy boat on the lake,--dearest Henry, I come.'
High swelled in her bosom the throb of affection,
As lightly her form bounded over the lea,
And arose in her mind every dear recollection;
'I come, dearest Henry, and wait but for thee.'
How sad, when dear hope every sorrow is soothing,
When sympathy's swell the soft bosom is moving,