Oh! ye bright Stars! that on the Ebon fields
Of Heav'n's empire, trembling seems to stand;
'Till rosy morn unlocks her portal bland,
Where the proud Sun his fiery banner wields!
To flames, less fierce than mine, your lustre yields,
And pow'rs more strong my countless tears command;
Love strikes the feeling heart with ruthless hand,
And only spares the breast which dullness shields!
Since, then, capricious nature but bestows
The fine affections of the soul, to prove
A keener sense of desolating woes,
Far, far from me the empty boast remove;
If bliss from coldness, pain from passion flows,
Ah! who would wish to feel, or learn to love?
Why art thou chang'd? O Phaon! tell me why?
Love flies reproach, when passion feels decay;
Or, I would paint the raptures of that day,
When, in sweet converse, mingling sigh with sigh,
I mark'd the graceful languor of thine eye
As on a shady bank entranc'd we lay:
O! Eyes! whose beamy radiance stole away
As stars fade trembling from the burning sky!
Why art thou chang'd? dear source of all my woes!
Though dark my bosom's tint, through ev'ry vein
A ruby tide of purest lustre flows,
Warm'd by thy love, or chill'd by thy disdain;
And yet no bliss this sensate Being knows;
Ah! why is rapture so allied to pain?
Charms, that call down the moon from out her sphere,
On this sick youth work your enchantments here!
Bind up his senses with your numbers, so
As to entrance his pain, or cure his woe.
Fall gently, gently, and a-while him keep
Lost in the civil wilderness of sleep:
That done, then let him, dispossess'd of pain,
Like to a slumbering bride, awake again.
The fitful alternations of the rain,
When the chill wind, languid as with pain
Of its own heavy moisture, here and there
Drives through the gray and beamless atmosphere.
WHEN dear Clarinda, 1 matchless fair,
First struck Sylvander’s raptur’d view,
He gaz’d, he listened to despair,
Alas! ’twas all he dared to do.
Love, from Clarinda’s heavenly eyes,
Transfixed his bosom thro’ and thro’;
But still in Friendships’ guarded guise,
For more the demon fear’d to do.
That heart, already more than lost,
The imp beleaguer’d all perdue;
For frowning Honour kept his post—
To meet that frown, he shrunk to do.
His pangs the Bard refused to own,
Tho’ half he wish’d Clarinda knew;
But Anguish wrung the unweeting groan—
Who blames what frantic Pain must do?
Wilt thou forget the happy hours
Which we buried in Love's sweet bowers,
Heaping over their corpses cold
Blossoms and leaves, instead of mould?
Blossoms which were the joys that fell,
And leaves, the hopes that yet remain.
Forget the dead, the past? Oh, yet
There are ghosts that may take revenge for it,
Memories that make the heart a tomb,
Regrets which glide through the spirit's gloom,
And with ghastly whispers tell
That joy, once lost, is pain.
They die--the dead return not--Misery
Sits near an open grave and calls them over,
A Youth with hoary hair and haggard eye--
They are the names of kindred, friend and lover,
Which he so feebly calls--they all are gone--
Fond wretch, all dead! those vacant names alone,
This most familiar scene, my pain--
These tombs--alone remain.
Misery, my sweetest friend--oh, weep no more!
Thou wilt not be consoled--I wonder not!
For I have seen thee from thy dwelling's door
Watch the calm sunset with them, and this spot
Was even as bright and calm, but transitory,
And now thy hopes are gone, thy hair is hoary;
This most familiar scene, my pain--
These tombs--alone remain.
Cupid Conjured
Thou purblind boy, since thou hast been so slack
To wound her heart, whose eyes have wounded me,
And suffer'd her to glory in my wrack,
Thus to my aid I lastly conjure thee:
By hellish Styx, by which the Thund'rer swears,
By thy fair mother's unavoided power,
By Hecate's names, by Proserpine's sad tears
When she was rapt to the infernal bower,
By thine own loved Psyche, by the fires
Spent on thine alters flaming up to heav'n,
By all true lovers' sighs, vows, and desires,
By all the wounds that ever thou hast giv'n:
I conjure thee by all that I have nam'd
To make her love, or, Cupid, be thou damn'd.
My heart the anvil where my thoughts do beat;
My words the hammers fashioning my desire;
My breast the forge including all the heat;
Love is the fuel which maintains the fire;
My sighs the bellows which the flame increaseth,
Filling mine ears with noise and nightly groaning;
Toiling with pain, my labor never ceaseth,
In grievous passions my woes still bemoaning;
My eyes with tears against the fire striving,
Whose scorching gleed my heart to cinders turneth,
But with these drops the flame again reviving,
Still more and more it to my torment turneth.
With Sisyphus thus do I roll the stone,
And turn the wheel with damned Ixion.
I, MY dear, was born to-day--
So all my jolly comrades say:
They bring me music, wreaths, and mirth,
And ask to celebrate my birth:
Little, alas! my comrades know
That I was born to pain and woe;
To thy denial, to thy scorn,
Better I had ne'er been born:
I wish to die, even whilst I say--
'I, my dear, was born to-day.'
I, my dear, was born to-day:
Shall I salute the rising ray,
Well-spring of all my joy and woe?
Clotilda, thou alone dost know.
Shall the wreath surround my hair?
Or shall the music please my ear?
Strange Power, I know not what thou art,
Murderer or mistress of my heart.
I know I'd rather meet the blow
Of my most unrelenting foe
Than live---as now I live---to be
Slain twenty times a day by thee.
Yet, when I would command thee hence,
Thou mockest at the vain pretence,
Murmuring in mine ear a song
Once loved, alas! forgotten long;
And on my brow I feel a kiss
That I would rather die than miss.
(For John Bunker)
The roar of the world is in my ears.
Thank God for the roar of the world!
Thank God for the mighty tide of fears
Against me always hurled!
Thank God for the bitter and ceaseless strife,
And the sting of His chastening rod!
Thank God for the stress and the pain of life,
And Oh, thank God for God!