The harbingers are come. See, see their mark;
White is their colour, and behold my head.
But must they have my brain? must they dispark
Those sparkling notions, which therein were bred?
Must dulnesse turn me to a clod?
Yet have they left me, Thou art still my God.
Good men ye be, to leave me my best room,
Ev'n all my heart, and what is lodged there:
I passe not, I, what of the rest become,
So Thou art still my God, be out of fear.
He will be pleased with that dittie;
And if I please him, I write fine and wittie.
Farewell sweet phrases, lovely metaphors.
But will ye leave me thus? when ye before
Of stews and brothels onely knew the doores,
Then did I wash you with my tears, and more,
THE PROLOGUE.
"No more of this, for Godde's dignity!"
Quoth oure Hoste; "for thou makest me
So weary of thy very lewedness,
That, all so wisly God my soule bless,
Mine eares ache for thy drafty speech.
Now such a rhyme the devil I beteche:
This may well be rhyme doggerel," quoth he.
"Why so?" quoth I; "why wilt thou lette me
More of my tale than any other man,
Since that it is the best rhyme that I can?"
"By God!" quoth he, "for, plainly at one word,
Thy drafty rhyming is not worth a tord:
Thou dost naught elles but dispendest time.
Sir, at one word, thou shalt no longer rhyme.
Let see whether thou canst tellen aught in gest,
If the foolish, call them "flowers" --
Need the wiser, tell?
If the Savants "Classify" them
It is just as well!
Those who read the "Revelations"
Must not criticize
Those who read the same Edition --
With beclouded Eyes!
Could we stand with that Old "Moses" --
"Canaan" denied --
Scan like him, the stately landscape
On the other side --
Doubtless, we should deem superfluous
Many Sciences,
Not pursued by learned Angels
In scholastic skies!
To see the Summer Sky
Is Poetry, though never in a Book it lie --
True Poems flee --
Touch lightly Nature's sweet Guitar
Unless thou know'st the Tune
Or every Bird will point at thee
Because a Bard too soon --
They shut me up in Prose --
As when a little Girl
They put me in the Closet --
Because they liked me "still" --
Still! Could themself have peeped --
And seen my Brain -- go round --
They might as wise have lodged a Bird
For Treason -- in the Pound --
Himself has but to will
And easy as a Star
Abolish his Captivity --
And laugh -- No more have I --
It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.
There's really not much harm in a
Large number of his carmina,
But these people find alarm in a
Few records of his acts;
So they'd squelch the muse caloric,
And to students sophomoric
They d present as metaphoric
What old Horace meant for facts.
Not while the fever of the blood is strong,
The heart throbs loud, the eyes are veiled, no less
With passion than with tears, the Muse shall bless
The poet-sould to help and soothe with song.
Not then she bids his trembling lips express
The aching gladness, the voluptuous pain.
Life is his poem then; flesh, sense, and brain
One full-stringed lyre attuned to happiness.
But when the dream is done, the pulses fail,
The day's illusion, with the day's sun set,
He, lonely in the twilight, sees the pale
Divine Consoler, featured like Regret,
Enter and clasp his hand and kiss his brow.
Then his lips ope to sing--as mine do now.
WORDSWORTH upon Helvellyn ! Let the cloud
Ebb audibly along the mountain-wind,
Then break against the rock, and show behind
The lowland valleys floating up to crowd
The sense with beauty. He with forehead bowed
And humble-lidded eyes, as one inclined
Before the sovran thought of his own mind,
And very meek with inspirations proud,
Takes here his rightful place as poet-priest
By the high altar, singing prayer and prayer
To the higher Heavens. A noble vision free
Our Haydon's hand has flung out from the mist:
No portrait this, with Academic air !
This is the poet and his poetry.
THE long small room that showed willows in the west
Narrowed up to the end the fireplace filled,
Although not wide. I liked it. No one guessed
What need or accident made them so build.
Only the moon, the mouse and the sparrow peeped
In from the ivy round the casement thick.
Of all they saw and heard there they shall keep
The tale for the old ivy and older brick.
When I look back I am like moon, sparrow and mouse
That witnessed what they could never understand
Or alter or prevent in the dark house.
One thing remains the same--this my right hand
Crawling crab-like over the clean white page,
Resting awhile each morning on the pillow,
Then once more starting to crawl on towards age.
ALL day and night, save winter, every weather,
Above the inn, the smithy, and the shop,
The aspens at the cross-roads talk together
Of rain, until their last leaves fall from the top.
Out of the blacksmith's cavern comes the ringing
Of hammer, shoe, and anvil; out of the inn
The clink, the hum, the roar, the random singing--
The sounds that for these fifty years have been.
The whisper of the aspens is not drowned,
And over lightless pane and footless road,
Empty as sky, with every other sound
Not ceasing, calls their ghosts from their abode,
A silent smithy, a silent inn, nor fails
In the bare moonlight or the thick-furred gloom,
In tempest or the night of nightingales,
THESE things that poets said
Of love seemed true to me
When I loved and I fed
On love and poetry equally.
But now I wish I knew
If theirs were love indeed,
Or if mine were the true
And theirs some other lovely weed:
For certainly not thus,
Then or thereafter, I
Loved ever. Between us
Decide, good Love, before I die.
Only, that once I loved
By this one argument
Is very plainly proved:
I, loving not, am different.