up early
like water
being myself only
(a mathematics
that I cannot understand)
being the rain coming into my house
being open
we desire the broad
water belonging to ships—
bedtime rain
Bed and rose,
wine, fire, candle, soap
and many other things…
Time and trouble
give me rain and a hat
and I am
a sad king.
noon field—
I find nobody
and a horse
after foolish talk
the discourse
of rain
I keep
a great distance
in my truck
wind and rain
we settle one by one
at the little table
what faceless bureaucrat
wears so gray a uniform
gray as the paper mask
inhabited by hornets
molded in a spiral around
its single dire orifice
a sump that swallows
all assumptions
an eyehole that shuts
like some toddler god
thinking we’ll all just vanish
under sheets of rain
full moonlight at half strength
due to rain
a slow and seemingly deliberate
tapping on the roof
one of the last warm
end-of-summer nights
katydids singing this is it
this is it this is it
this night with its singular pelage
will never come again
let sleep go on without you
like a zombie apocalypse
flying squirrels open
the dark sails of their bodies
a spring peeper calls three times
in defiance of the season
In the house of rain, all are kin. Consider the toadstool releasing its spores when the rain comes knocking. Many of those spores drift up into the atmosphere, where they become cloud condensation nuclei and give birth to new raindrops—with moisture released by the trees. I recite this true fable to myself as I trudge through the downpour.
that scent
of wet rhododendrons—
Pop-pop’s place
I like how the world is textured.
Visually and aurally and in food webs and ecological niches.
The endless intricacy and beauty of it.
It’s utterly entrancing sometimes, like the best rave ever.
Whatever i tell myself, it’s never enough. Understanding begins with listening.
forest downpour heard
first in the treetops
i picture a cinematic
rain of arrows
or maybe small frogs
like the two in the road earlier
one still moving
the other just bones and wasps
i took picture after picture
on my phone which now
rests like a joey
in a dry pocket
soon the gravel road
is two torrents
and i am a turtle hunched
under poncho and umbrella
i watch from under
my umbrella
the complexly bladed ferns
dancing erratically in the rain
my feet and their forever
war on stasis
the ruts reasserting themselves
through fresh stone
i was only going
for a walk and now
i’m pondering the obligations of ferns
the prerogatives of feet
and the way a green tongue
snakes through everything
as if wisdom grew on trees
as if it were made of gray paper
“la volonté de tristesse”—drawing by Alejandra Pizarnik (from The Galloping Hour: French Poems)
one ought to remain at least
partially buried at all times
let lost pieces of oneself
get eaten by opossums
one must learn to read the paper
upside-down and backwards
give names to the flies
but not to the joyful spider
and when one is invited to dance
one must not cling as if drowning
one who is oneself
a sort of small salt lake
one must follow decorum
as one follows the weather
everything one knows about rhythm
woke up this morning with my shoes
gaping at me like open graves
the tapping of rain on the roof
made a rhythm I could almost feel
this isn’t walking weather
and my feet need to move
restless for no good reason
that bivalve in my chest keeps opening
a mussel gluing down its good foot
so it can rock in the current
I want to go where the river goes
to the sky or its best mirrors
which have the blues too in at least
three different ways
all of which call to me
in the melisma of a mirage