Yes, call me by my pet-name! let me hear
The name I used to run at, when a child,
From innocent play, and leave the cowslips piled,
To glance up in some face that proved me dear
With the look of its eyes. I miss the clear
Fond voices which, being drawn and reconciled
Into the music of Heaven's undefiled,
Call me no longer. Silence on the bier,
While I call God—call God!—So let thy mouth
Be heir to those who are now exanimate.
Gather the north flowers to complete the south,
And catch the early love up in the late.
Yes, call me by that name,—and I, in truth,
With the same heart, will answer and not wait.
OLD Man, or Lad's-love,--in the name there's
nothing
To one that knows not Lad's-love, or Old Man,
The hoar-green feathery herb, almost a tree,
Growing with rosemary and lavender.
Even to one that knows it well, the names
Half decorate, half perplex, the thing it is:
At least, what that is clings not to the names
In spite of time. And yet I like the names.
The herb itself I like not, but for certain
I love it, as some day the child will love it
Who plucks a feather from the door-side bush
Whenever she goes in or out of the house.
Often she waits there, snipping the tips and
shrivelling
The shreds at last on to the path, perhaps
OFTEN and often it came back again
To mind, the day I passed the horizon ridge
To a new country, the path I had to find
By half-gaps that were stiles once in the hedge,
The pack of scarlet clouds running across
The harvest evening that seemed endless then
And after, and the inn where all were kind,
All were strangers. I did not know my loss
Till one day twelve months later suddenly
I leaned upon my spade and saw it all,
Though far beyond the sky-line. It became
Almost a habit through the year for me
To lean and see it and think to do the same
Again for two days and a night. Recall
Was vain: no more could the restless brook
Ever turn back and climb the waterfall
I HAVE come a long way to-day:
On a strange bridge alone,
Remembering friends, old friends,
I rest, without smile or moan,
As they remember me without smile or moan.
All are behind, the kind
And the unkind too, no more
To-night than a dream. The stream
Runs softly yet drowns the Past,
The dark-lit stream has drowned the Future and the
Past.
No traveller has rest more blest
Than this moment brief between
Two lives, when the Night's first lights
And shades hide what has never been,
Things goodlier, lovelier, dearer, than will be or have
THE sun blazed while the thunder yet
Added a boom:
A wagtail flickered bright over
The mill-pond's gloom:
Less than the cooing in the alder
Isles of the pool
Sounded the thunder through that plunge
Of waters cool.
Scared starlings on the aspen tip
Past the black mill
Outchattered the stream and the next roar
Far on the hill.
As my feet dangling teased the foam
That slid below
A girl came out. "Take care!" she said--
Ages ago.
THIS ploughman dead in battle slept out of doors
Many a frozen night, and merrily
Answered staid drinkers, good bedmen, and all
bores:
"At Mrs. Greenland's Hawthorn Bush," said he,
"I slept." None knew which bush. Above the
town,
Beyond "The Drover," a hundred spot the down
In Wiltshire. And where now at last he sleeps
More sound in France--that, too, he secret keeps.
THE flowers left thick at nightfall in the wood
This Eastertide call into mind the men,
Now far from home, who, with their sweethearts, should
Have gathered them and will do never again.
There are some qualities--some incorporate things,
That have a double life, which thus is made
A type of that twin entity which springs
From matter and light, evinced in solid and shade.
There is a twofold Silence--sea and shore--
Body and soul. One dwells in lonely places,
Newly with grass o'ergrown; some solemn graces,
Some human memories and tearful lore,
Render him terrorless: his name's "No More."
He is the corporate Silence: dread him not!
No power hath he of evil in himself;
But should some urgent fate (untimely lot!)
Bring thee to meet his shadow (nameless elf,
That haunteth the lone regions where hath trod
No foot of man), commend thyself to God!
Type of the antique Rome! Rich reliquary
Of lofty contemplation left to Time
By buried centuries of pomp and power!
At length--at length--after so many days
Of weary pilgrimage and burning thirst,
(Thirst for the springs of lore that in thee lie,)
I kneel, an altered and an humble man,
Amid thy shadows, and so drink within
My very soul thy grandeur, gloom, and glory!
Vastness! and Age! and Memories of Eld!
Silence! and Desolation! and dim Night!
I feel ye now--I feel ye in your strength--
O spells more sure than e'er Judæan king
Taught in the gardens of Gethsemane!
O charms more potent than the rapt Chaldee
Ever drew down from out the quiet stars!
Beloved! amid the earnest woes
That crowd around my earthly path--
(Drear path, alas! where grows
Not even one lonely rose)--
My soul at least a solace hath
In dreams of thee, and therein knows
An Eden of bland repose.
And thus thy memory is to me
Like some enchanted far-off isle
In some tumultuous sea--
Some ocean throbbing far and free
With storm--but where meanwhile
Serenest skies continually
Just o'er that one bright inland smile.
SAFE where I cannot die yet,
Safe where I hope to lie too,
Safe from the fume and the fret;
You, and you,
Whom I never forget.
Safe from the frost and the snow,
Safe from the storm and the sun,
Safe where the seeds wait to grow
One by one,
And to come back in blow.
Farewell to thee! but not farewell
To all my fondest thoughts of thee:
Within my heart they still shall dwell;
And they shall cheer and comfort me.
O, beautiful, and full of grace!
If thou hadst never met mine eye,
I had not dreamed a living face
Could fancied charms so far outvie.
If I may ne'er behold again
That form and face so dear to me,
Nor hear thy voice, still would I fain
Preserve, for aye, their memory.
That voice, the magic of whose tone
Can wake an echo in my breast,
Creating feelings that, alone,
Can make my tranced spirit blest.