MEN are Heaven's piers; they evermore
Unwearying bear the skyey floor;
Man's theatre they bear with ease,
Unfrowning cariatides!
I, for my wife, the sun uphold,
Or, dozing, strike the seasons cold.
She, on her side, in fairy-wise
Deals in diviner mysteries,
By spells to make the fuel burn
And keep the parlour warm, to turn
Water to wine, and stones to bread,
By her unconquered hero-head.
A naked Adam, naked Eve,
Alone the primal bower we weave;
Sequestered in the seas of life,
A Crusoe couple, man and wife,
Flourishing vine, whose kindling clusters glow
Beneath the autumnal sun, none taste of thee;
For thou dost shroud a ruin, and below
The rotting bones of dead antiquity.
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert...Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
'My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.
Is it the Eternal Triune, is it He
Who dares arrest the wheels of destiny
And plunge me in the lowest Hell of Hells?
Will not the lightning's blast destroy my frame?
Will not steel drink the blood-life where it swells?
No--let me hie where dark Destruction dwells,
To rouse her from her deeply caverned lair,
And, taunting her cursed sluggishness to ire,
Light long Oblivion's death-torch at its flame
And calmly mount Annihilation's pyre.
Tyrant of Earth! pale Misery's jackal Thou!
Are there no stores of vengeful violent fate
Within the magazines of Thy fierce hate?
No poison in the clouds to bathe a brow
That lowers on Thee with desperate contempt?
Where is the noonday Pestilence that slew
Maid of Jerusalem, by the Dead Sea,
I wandered all sorrowing thinking of thee,--
Thy city in ruins, thy kindred deplored,
All fallen and lost by the Ottoman's sword.
I saw thee sit there in disconsolate sighs,
Where the hall of thy fathers a ruined heap lies.
Thy fair finger showed me the place where they trod,
In thy childhood where flourished the city of God.
The place where they fell and the scenes where they lie,
In the tomb of Siloa--the tear in her eye
She stifled: transfixed there it grew like a pearl,
Beneath the dark lash of the sweet Jewish Girl.
Jerusalem is fallen! still thou art in bloom,
As fresh as the ivy around the lone tomb,
And fair as the lily of morning that waves
As a pale phantom with a lamp
Ascends some ruin's haunted stair,
So glides the moon along the damp
Mysterious chambers of the air.
Now hidden in cloud, and now revealed,
As if this phantom, full of pain,
Were by the crumbling walls concealed,
And at the windows seen again.
Until at last, serene and proud
In all the splendor of her light,
She walks the terraces of cloud,
Supreme as Empress of the Night.
I look, but recognize no more
Objects familiar to my view;
The very pathway to my door
Is an enchanted avenue.
To lose one's faith -- surpass
The loss of an Estate --
Because Estates can be
Replenished -- faith cannot --
Inherited with Life --
Belief -- but once -- can be --
Annihilate a single clause --
And Being's -- Beggary --
A great Hope fell
You heard no noise
The Ruin was within
Oh cunning wreck that told no tale
And let no Witness in
The mind was built for mighty Freight
For dread occasion planned
How often foundering at Sea
Ostensibly, on Land
A not admitting of the wound
Until it grew so wide
That all my Life had entered it
And there were troughs beside
A closing of the simple lid
That opened to the sun
Until the tender Carpenter
THEY should never have built a barn there, at all--
Drip, drip, drip!--under that elm tree,
Though then it was young. Now it is old
But good, not like the barn and me.
To-morrow they cut it down. They will leave
The barn, as I shall be left, maybe.
What holds it up? 'Twould not pay to pull down.
Well, this place has no other antiquity.
No abbey or castle looks so old
As this that Job Knight built in '54,
Built to keep corn for rats and men.
Now there's fowls in the roof, pigs on the floor.
What thatch survives is dung for the grass,
The best grass on the farm. A pity the roof
Will not bear a mower to mow it. But
Only fowls have foothold enough.
ONLY the sound remains
Of the old mill;
Gone is the wheel;
On the prone roof and walls the nettle reigns.
Water that toils no more
Dangles white locks
And, falling, mocks
The music of the mill-wheel's busy roar.
Pretty to see, by day
Its sound is naught
Compared with thought
And talk and noise of labour and of play.
Night makes the difference.
In calm moonlight,
Gloom infinite,
The sound comes surging in upon the sense:
Type of the antique Rome! Rich reliquary
Of lofty contemplation left to Time
By buried centuries of pomp and power!
At length--at length--after so many days
Of weary pilgrimage and burning thirst,
(Thirst for the springs of lore that in thee lie,)
I kneel, an altered and an humble man,
Amid thy shadows, and so drink within
My very soul thy grandeur, gloom, and glory!
Vastness! and Age! and Memories of Eld!
Silence! and Desolation! and dim Night!
I feel ye now--I feel ye in your strength--
O spells more sure than e'er Judæan king
Taught in the gardens of Gethsemane!
O charms more potent than the rapt Chaldee
Ever drew down from out the quiet stars!