dead air—
the opera and I both
out of time
I lost my labor to the war,
my time to bed, my place
to a store of wine.
What a sad story!
I make one good thing:
a great quiet.
the garden gives me nothing
I am glad
after love or great disorder
in an unknown nest
I could be quiet
A great music
we borrow of the sea—
and so still
the bed.
with my wife all night
where letters stay dead in the mouth
we are seasick and glad
for any stop
words love quiet
as the office a clock
or horses the evening
we ride easily through the streets
feet cramped by new hard boots
a creek without
any living creature
I eat as a way of answering
the great quiet
four in the morning
my ears coming clear
like the lives of nuns
wren wiping his bill
on the ridgeline of the roof
his mate already brooding
on a second clutch
the first clouds always
look innocent enough
until they open
their rainy mouths
catbird singing out
instructions for assembly
a deer sneezing
from her day bed in the weeds
this is how one gauges
one’s aptitude for silence
in Figure 1 we can see
how the trend lines wander
the wren can nest
like a head full of evil
now saying nothing
to save his place
quarantine walk
stopping at the sound
of a jet
I can’t stop marveling at how quiet it’s become under lockdown. In normal times I find the close horizons of this narrow hollow in the hills a bit claustrophobic, but now that there’s so much less noise echoing around in it from adjacent highways, the nearby quarry, and factories and businesses in town, it feels more spacious. A pair of local Canada geese fly over at dusk and I hold my breath, listening to their wingbeats. I no longer envy animals that live underground their superior soundproofing.
last week’s rain
that hush
in the moss
at the bottom of the mountain
a small mountain
of gravel
riprap
just enough soil
for anise root
where the hollow empties
its silence into the gap
old cellar holes
locked gate
stroking the touch-me-nots
so they burst