We are as clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!--yet soon
Night closes round, and they are lost for ever:
Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
We rest.--A dream has power to poison sleep;
We rise.--One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond woe, or cast our cares away:
It is the same!--For, be it joy or sorrow,
The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability.
Muses, which sadly sit about my chair,
Drown'd in the tears extorted by my lines,
With heavy sighs whilst thus I break the air,
Painting my passions in these sad designs,
Since she disdains to bless my happy verse,
The strong-built trophies to her living fame,
Ever henceforth my bosom be your hearse,
Wherein the world shall now entomb her name.
Enclose my music, you poor senseless walls,
Since she is deaf and will not hear my moans,
Soften yourselves with every tear that falls,
Whilst I, like Orpheus, sing to trees and stones,
Which with my plaint seem yet with pity mov'd,
Kinder than she whom I so long have lov'd.
Maiden, quench the glare of sorrow
Struggling in thine haggard eye:
Firmness dare to borrow
From the wreck of destiny;
For the ray morn's bloom revealing
Can never boast so bright an hue
As that which mocks concealing,
And sheds its loveliest light on you.
Yet is the tie departed
Which bound thy lovely soul to bliss?
Has it left thee broken-hearted
In a world so cold as this?
Yet, though, fainting fair one,
Sorrow's self thy cup has given,
Dream thou'lt meet thy dear one,
Never more to part, in Heaven.
Ah! faint are her limbs, and her footstep is weary,
Yet far must the desolate wanderer roam;
Though the tempest is stern, and the mountain is dreary,
She must quit at deep midnight her pitiless home.
I see her swift foot dash the dew from the whortle,
As she rapidly hastes to the green grove of myrtle;
And I hear, as she wraps round her figure the kirtle,
'Stay thy boat on the lake,--dearest Henry, I come.'
High swelled in her bosom the throb of affection,
As lightly her form bounded over the lea,
And arose in her mind every dear recollection;
'I come, dearest Henry, and wait but for thee.'
How sad, when dear hope every sorrow is soothing,
When sympathy's swell the soft bosom is moving,
Yet read at last the story of my woe,
The dreary abstracts of my endless cares,
With my life's sorrow interlined so,
Smok'd with my sighs and blotted with my tears,
The sad memorials of my miseries,
Penn'd in the grief of mine afflicted ghost,
My life's complaint in doleful elegies,
With so pure love as Time could never boast.
Receive the incense which I offer here,
By my strong faith ascending to thy fame,
My zeal, my hope, my vows, my praise, my prayer,
My soul's oblation to thy sacred name,
Which name my Muse to highest heav'ns shall raise
By chaste desire, true love, and virtuous praise.
Cold, cold is the blast when December is howling,
Cold are the damps on a dying man's brow,--
Stern are the seas when the wild waves are rolling,
And sad is the grave where a loved one lies low;
But colder is scorn from the being who loved thee,
More stern is the sneer from the friend who has proved thee,
More sad are the tears when their sorrows have moved thee,
Which mixed with groans anguish and wild madness flow--
And ah! poor -- has felt all this horror,
Full long the fallen victim contended with fate:
'Till a destitute outcast abandoned to sorrow,
She sought her babe's food at her ruiner's gate--
Another had charmed the remorseless betrayer,
He turned laughing aside from her moans and her prayer,
FROM THE GREEK OF MOSCHUS.
Ye Dorian woods and waves, lament aloud,--
Augment your tide, O streams, with fruitless tears,
For the beloved Bion is no more.
Let every tender herb and plant and flower,
From each dejected bud and drooping bloom,
Shed dews of liquid sorrow, and with breath
Of melancholy sweetness on the wind
Diffuse its languid love; let roses blush,
Anemones grow paler for the loss
Their dells have known; and thou, O hyacinth,
Utter thy legend now--yet more, dumb flower,
Than 'Ah! alas!'--thine is no common grief--
Bion the is no more.
See yon opening flower
Spreads its fragrance to the blast;
It fades within an hour,
Its decay is pale--is fast.
Paler is yon maiden;
Faster is her heart's decay;
Deep with sorrow laden,
She sinks in death away.
Where man's profane and tainting hand
Nature's primaeval loveliness has marred,
And some few souls of the high bliss debarred
Which else obey her powerful command;
...mountain piles
That load in grandeur Cambria's emerald vales.
To Despair
I ever love where never hope appears,
Yet hope draws on my never-hoping care,
And my life's hope would die, but for despair;
My never-certain joy breeds ever-certain fears;
Uncertain dread gives wings unto my hope,
Yet my hope's wings are laden so with fear
As they cannot ascend to my hope's sphere;
Though fear gives them more than a heav'nly scope,
Yet this large room is bounded with despair;
So my love is still fetter'd with vain hope,
And liberty deprives him of his scope,
And thus am I imprison'd in the air.
Then, sweet despair, awhile hold up thy head,
Or all my hope for sorrow will be dead.
It may be misery not to sing at all,
And to go silent through the brimming day;
It may be misery never to be loved,
But deeper griefs than these beset the way.
To sing the perfect song,
And by a half-tone lost the key,
There the potent sorrow, there the grief,
The pale, sad staring of Life's Tragedy.
To have come near to the perfect love,
Not the hot passion of untempered youth,
But that which lies aside its vanity,
And gives, for thy trusting worship, truth.
This, this indeed is to be accursed,
For if we mortals love, or if we sing,
We count our joys not by what we have,
But by what kept us from that perfect thing.
Seven stars in the still water,
And seven in the sky;
Seven sins on the King's daughter,
Deep in her soul to lie.
Red roses are at her feet,
(Roses are red in her red-gold hair)
And O where her bosom and girdle meet
Red roses are hidden there.
Fair is the knight who lieth slain
Amid the rush and reed,
See the lean fishes that are fain
Upon dead men to feed.
Sweet is the page that lieth there,
(Cloth of gold is goodly prey,)
See the black ravens in the air,
Black, O black as the night are they.