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Emily Dickinson
She rose as high as His Occasion
Then sought the Dust --
And lower lay in low Westminster
For Her brief Crest --
A horse with
the king’s guitar.
A lost horse
to carry me
to the tomb.
I kiss a late rose,
having laid out
my walking garb,
weary and hot.
Out of the tomb, we bring Badroulbadour,
Within our bellies, we her chariot.
Here is an eye. And here are, one by one,
The lashes of that eye and its white lid.
Here is the cheek on which that lid declined,
And, finger after finger, here, the hand,
The genius of that cheek. Here are the lips,
The bundle of the body and the feet.
Out of the tomb we bring Badroulbadour.
'Although I'd lie lapped up in linen
A deal I'd sweat and little earn
If I should live as live the neighbours,'
Cried the beggar, Billy Byrne;
'Stretch bones till the daylight come
On great-grandfather's battered tomb.'
Upon a grey old battered tombstone
In Glendalough beside the stream,
Where the O'Byrnes and Byrnes are buried,
He stretched his bones and fell in a dream
Of sun and moon that a good hour
Bellowed and pranced in the round tower;
Of golden king and silver lady,
Bellowing up and bellowing round,
Till toes mastered a sweet measure,
Mouth mastered a sweet sound,
Your arms, in faltering crescendos,
Wander through the room
Tinted with expectation of night.
The room seems a tottering tomb
Through which you roam with hands
Striving to press each form into the shape
Of someone buried beneath you....
Only when night sprays the room with his breath
Do you change to that which you seek.
The jar is sealed:
Memories — mourners — close the tomb.
Turn from the unechoing gloom
Into the sounding day:
Soul, freed and healed.
Away!
The jar is sealed.
One shadow on my wall, an intimate
Of dusk, comes only when it comes alone.
It lifts out of new dark and spreads a great
Wing of quiet where once the sun has shone,
Cooling the air like rain on stone.
Such shadow might find entrance to a tomb.
And be at home in places where the dead
Are fitful sleepers; moving through the gloom
It might lay benediction on a head
That death has left uncomforted.
Minutes swiftly throb and pass,
Shadows cross the dial-glass,
Speeding ever to some call,
Weary world and shadows, all.
Down the closing aisles of day,
Tramping footsteps die away,
But no tidings thread the gloom,
From the hushed and silent tomb.
The faint lose faith
When in the tomb their all is laid,
And there returns
No echoing of weal or woe.
The strong hope on,
They see the clods close over head,
The grass grow green.
No word is said.
And yet —
A little world within the world
Are we,
Daily our hearts' high yearnings fade,
Are buried !
New ones are made, —
Are crucified !
And yet —
I have mounded the corpse of my sorrow
And wreathed it with roses fair
That none who may pass on the morrow
May know what lies buried there.
Tomb of a millionaire,
A multi-millionaire, ladies and gentlemen,
Place of the dead where they spend every year
The usury of twenty-five thousand dollars
For upkeep and flowers
To keep fresh the memory of the dead.
The merchant prince gone to dust
Commanded in his written will
Over the signed name of his last testament
Twenty-five thousand dollars be set aside
For roses, lilacs, hydrangeas, tulips.
For perfume and color, sweetness of remembrance
Around his last long home.
(A hundred cash girls want nickels to go to the movies
to-night.
In the back stalls of a hundred saloons, women are at
Unthrifty loveliness, why dost thou spend
Upon thy self thy beauty's legacy?
Nature's bequest gives nothing, but doth lend,
And being frank she lends to those are free:
Then, beauteous niggard, why dost thou abuse
The bounteous largess given thee to give?
Profitless usurer, why dost thou use
So great a sum of sums, yet canst not live?
For having traffic with thy self alone,
Thou of thy self thy sweet self dost deceive:
Then how when nature calls thee to be gone,
What acceptable audit canst thou leave?
Thy unused beauty must be tombed with thee,
Which, used, lives th' executor to be.