When did she
become, and so
suddenly,
this woman, talking
of young men?
I look
to see if she's
still in there —
but nothing doing.
What will it take
to bring us both
to life again?
An old woman in an airport,
sunken cheeks,
turns toward a window
where sky comes in and
we can see metal villages
take off, glide down.
Her face suggests she knows
how society got this frenzied,
worried, driven to vacate.
She may know too where each
of us is going, returning from,
and why airports reek of grief—
her face is a rare manuscript
of grief. Her years spiral
slowly in memory like a galaxy.
Her attachments drift aboard
I watch her body wet and
dry her moods at dusk at
dawn she sips lemon tea
lemon shampoos blonde hair
lemon slice between glass and
blue eyes, a goddess of love
night and day. Beautiful
clothes shape silken breasts
swaddle golden child
intelligent conversation in
business in bed unmarried then
wed unavailable but saleable
relationship with her
one hour a day which is
everything, or nothing, or love.
Good morning, Life--and all
Things glad and beautiful.
My pockets nothing hold,
But he that owns the gold,
The Sun, is my great friend--
His spending has no end.
Hail to the morning sky,
Which bright clouds measure high;
Hail to you birds whose throats
Would number leaves by notes;
Hail to you shady bowers,
And you green fields of flowers.
Hail to you women fair,
That make a show so rare
In cloth as white as milk--
Be't calico or silk:
FIRST WOMAN
Oh woman--woman--woman,--
Shall I to woman be a friend?
I deal with man, and when I can
Reclaim with interest all I lend.
Who but a witless gambler plays
For farthing stakes these golden days?
No, woman--woman--woman--
Must only play the game that pays.
SECOND WOMAN
Oh woman--woman--woman,--
To-morrow woman shall awake.
She shall arise, and realise
The goodly value of her stake.
And she shall lend her loan, and claim
Her rightful interest on the same.
I SAW her in a Broadway car,
The woman I might grow to be;
I felt my lover look at her
And then turn suddenly to me.
Her hair was dull and drew no light
And yet its color was as mine;
Her eyes were strangely like my eyes
Tho' love had never made them shine.
Her body was a thing grown thin,
Hungry for love that never came;
Her soul was frozen in the dark
Unwarmed forever by love's flame.
I felt my lover look at her
And then turn suddenly to me,--
His eyes were magic to defy
The woman I shall never be.
A woman, like the touted Sphinx,
Sits, and God knows what she thinks;
Hard-boiled men, who never fall,
Say she doesn't think at all.
There is a marvellous washing
creamy and snowy-white
hung high on lines
stretched from upper and lower balconies
in the back-yard, across the narrow lane
behind my rusty apple-tree
and dusty lilac hedge;
and a great splendid ‘woman-by-the-day’
comely and fat, with a bronzed skin
and tumbled blue black hair,
and an ugly and joyous scarlet gown,
is hanging out the clothes ...
wet heavy clean white clothes ...
soft liquid splashes of light amidst dull dusty trees
and sombre dirty bricks.
The laden lines begin to ripple seductively
Puissant woman!...
Sheltering tiny things like
English primroses!
Is she the sage who will not sip
The cup love presses to her lip ?
Or she who drinks the mad cup dry,
And turns with smiling face — to die?
There are yellow birds within the cage;
Beside its gilded bars there stand the women
Whom the Great Prince loves to honour.
They wear silken robes and jewels in their hair,
And live in a pretty pink and yellow house.
But the women look not at the captive singing-birds,
Nor listen to their song,
Their eyes follow the flight of two white-breasted doves,
Winging their way towards the wind-torn clouds.