Notes on the Economy of Scale in Tegucigalpa — Summary

Dave BontaAnxious

Hotel Agua Azul

Held captive for the diversion of furtive couples on weekend flings, below the terrace a spider monkey swings by his tail, kicking off the tree trunk with one hind foot while the other clings to the chain dangling from the collar. He keeps it up for hours, as if driven by hidden gears & springs. But draw a chair within range & the pendulum stops, he clambers onto the deck & slings a hairy palm in your face, importuning food, trinkets. Whatever brings relief to a life of boredom, you think, searching your pockets, going through your things. How friendly he seems–until you notice the strength of his grip, how he enrings your leg. It takes the help of half the hotel staff to pry him loose, & days later the spot where he bit still stings.

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A spider monkey is chained up below a hotel terrace, kept as entertainment for guests. The speaker watches him swing for hours, mechanical and tireless, "as if driven by hidden gears & springs." Then the speaker sits down nearby, and the animal changes: he stops, climbs up, and holds out a hand for food or trinkets. The speaker feels a mix of pity and goodwill, guessing that anything might relieve a life of boredom, and starts digging through pockets.

The mood turns on the word "until." What looked friendly becomes alarming once the monkey wraps himself around the speaker's leg and won't let go. It takes half the staff to pull him off. The final image, a bite that "still stings" days later, leaves a lingering discomfort. The poem suggests that captivity warps the creature, and that the speaker's casual sympathy is tangled up with the same amusement that keeps him chained.

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