My hollow has a metal sound. — Summary

Francis ScudellariContemplative

My hollow is sounding this way: A hinged flap clangs,

tapping against its empty cylinder. There are cinders in the tender

trap I laid yesterday

to catch a glimpse of a gleam. The gleam leaped from a small crinkle

in the steel, and got free before I could show it how much

I loved it.

Then, I closed my eyes. When I close my eyes, I can see

flares of color. Monday, it isn’t blue, it’s red,

a ruby splatter creeping

its stain of warmth to the very edge. Tuesday, it’s blue. Tuesday is

a sapphire pool slowly spreading its wet to cool off Monday’s hot.

Today is Wednesday. That gleam was

supposed to be my yellow. Without it, what I see slips back into a black

velvet landscape they’ve re-placed inside a cheap aluminum frame.

What I see in it is

what I saw on it, when the black was more sheet-metal gray, and it was and is

a wounded robot hand-painted white to wander

across the wastes where my human mind

once played with colors. It’s collecting glints off smooth-faced

granite with its sensitive sensors for eyes. They’ll help fill its hollow,

a hollow suddenly sounding less metal.

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The speaker describes an emptiness inside them that rings like an empty metal container, and the poem follows their attempt to fill it with color. Each day has a hue: red on Monday, blue on Tuesday, and yellow was supposed to arrive on Wednesday. But the gleam they hoped to catch slipped away before they could show it any love, so they're left with a black, flat view that sits in a cheap frame.

From there the poem shifts into an image of a wounded robot, painted white, wandering a barren landscape where the speaker's imagination once played. It seems to be a stand-in for the speaker, or for the mind that has gone mechanical. Yet the ending softens. The robot gathers glints from the granite with its sensitive eyes, and these may fill the hollow a little. The mood begins cold, numb and lonely, then turns toward a quiet, cautious hope.

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