FOUNDATIONS — Summary

Mary F. C. PrattContemplative

I have become obsessed with underpinnings:

Olga no longer makes the Daisy in my size. They assume small women want padding–”contour” they call it. But contours are hot, and they itch, and besides, I told the clerk, I am happy with my size. And she, who guessed my numbers by looking– she who for forty years had seen all sizes, had fitted corsets and prostheses, measured without a blink over sags and scars– said Well, you ought to be, and searched the bins along the wall to see if there might be one more, and there wasn’t. She found a substitution, adequate, but not what I’d hoped for. She wrapped it in tissue and I paid.

What happens to prayers– our own devices, nothing left to fit? Discontinuites, perhaps, and God the old woman with her measure, her calm and kindly face. It’s a shame, my dear, but that’s how it goes. Here’s something else that might suffice.

I carried my little package to the café where I go to watch the traffic pass. A new brick sidewalk there, wide: tables and chairs outdoors, better than before. They dug deep, below the level of the street. They found old coins and a diamond ring, but best of all, windows covered over with rubble. All those years with nothing to see but dirt.

Amazing, what holds things up, or doesn’t, the dark and hidden structure undergirding it all.

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A woman goes shopping for a particular bra and discovers it has been discontinued. What begins as a small, slightly comic complaint turns into something larger. The speaker is content with her body, and the clerk, who has seen every shape in forty years of work, quietly agrees. Still, the store has nothing left in her size, and she leaves with a decent substitute.

That small letdown leads her to a bigger question: what happens to prayers when nothing fits anymore? She imagines God as a kindly old saleswoman offering "something else that might suffice." The tone is gentle, wry, and tender rather than bitter.

At the café, workers have dug beneath a new sidewalk and uncovered buried windows, long hidden under rubble. The ending suggests that unseen structures, whether clothing, faith, or city foundations, hold us up. The mood is thoughtful, humorous, and quietly full of wonder.

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