IN THE KITCHEN: From the American Folksong Suite — Summary

I like it when he comes in here, after supper, when the washing up is mostly done and I’m just mopping the table and setting things to rights. He sits on the flour barrel in the corner and plays his music, and sings. We don’t talk much. I don’t suppose there would be trouble if we did– who cares what an old Irishman and an old woman like me do in our free time? Mam said I was lucky to get this work, but I think not lucky–I’m a good cook, and they know it. At least I got a couple things out of the plantation–cooking, and my baby. I’m glad she’s up north now. It’s not safe here for a pretty girl like her, and the lady of the house where she works is teaching her to read in the evenings. These railroad men don’t scare me: I’ve seen it all. I can take care of myself. And he comes in to sing just at the dangerous time of day, looks after me, in a way, always reminds me to bolt the door.

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The speaker is a cook, an older woman, finishing her evening chores in a kitchen. Her favorite part of the day comes when an Irishman sits on a flour barrel and plays music and sings. They hardly talk, and she takes comfort in that easy company. The poem's subtitle points to American folksong, and the scene feels like a small, private song of its own.

Underneath the calm, there are hints of a harder past and a risky present. The speaker mentions the plantation, so her life seems to have been shaped by slavery, and she takes pride in what she kept from it: her cooking skill and her daughter, who now lives in the north and is learning to read. She insists the railroad men don't frighten her, yet she admits this is "the dangerous time of day." The mood is warm but watchful. The man's music is pleasant, but his real gift is quiet protection, ending with his reminder to bolt the door.

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