DOPPLEGANGER — Summary

Mary F. C. PrattNovember, 2010Anxious

I’ve known her since I was a kid; she visited me from the beginning. We sat under the table and she told me stories: my mother was going to die, the blister on my heel would kill me as dead as Calvin Coolidge’s son. She told me thunder was demons hammering nails into my ears, that cave bears lived in the cellar, tigers behind every clump of grass.

Once when I was ten and learned at last that parents sometimes lie, she ran away with me to the field behind our house. We sat in the grass under a thorn tree. There’s no one we can depend on, she whispered. Now we have to handle everything.

She liked the English teacher we had when we were seventeen. We loved Salinger, Dylan Thomas, Chaucer, Hayakawa and Shaw. We smoked filtered cigarettes and tore the bottom hems from our jeans. We walked the railroad tracks all around town. We taught ourself to play guitar. We wrote obscure poetry and decided we were an existentialist even though we weren’t quite sure what that meant.

Somehow, I persisted, and even though I was brave enough to marry, still she hung around, telling her tales: Your husband will crash that jet he flies. Your baby will get sick. Sometimes she convinced me that I wouldn’t live to see my baby grow up. She was always too thin, twiddled her hair, drummed fingers, wrung her hands, picked at scabs, picked at food. A hard V was furrowed in between her eyes. She stayed up late watching Hitchcock films or reading trashy books about conspiracies.

She’s wired hard into the almond deep inside my brain. Over the years, I’ve taught her to behave. Shut up, I say when she starts in on her morbid list. I’ve made it this far. I’ve been married to that man for forty years. The baby has a wife and owns a house. Mom and Dad are dead, and I’m still here. She crawls back under the table then, grumbling something about getting deaf. I know she’ll never leave.

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The "doppelganger" here is the speaker's own anxiety, imagined as a thin, fidgety girl who has followed her since childhood. She first appears under the table, whispering frightening stories: thunder is demons, a blister could be fatal, her mother will die. At ten, when the speaker realizes parents can lie, the double convinces her that nobody can be trusted and she must handle everything alone. Even the happier teenage years, with books, guitars and borrowed cool, include her.

The tone is wry and affectionate rather than bitter. Small details, like the furrowed brow, the picked scabs and the Hitchcock films, make the fear feel like a real, familiar person. In the last section the speaker has gained some control. She tells the double to shut up, and the evidence of a long life, a forty-year marriage and a grown child, proves the predictions wrong. Yet the ending is honest: the double retreats under the table but never leaves. The mood is quietly resigned, a bit tired, and oddly tender.

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