END OF THE HARVEST — Summary

Mary F. C. Pratt2002Contemplative

You don’t sing any more, or chatter. Weather doesn’t matter. It is important to keep the apple bag straps flat, most important to lift with your thighs.

What does pain matter? Hands the color of uncured ham, ass cold in the wet jeans, feet cold with water from frosted grass seeping through cheap cracked boots.

You keep trying to think about war and Wall Street, troubles of your friends. You keep trying to pray. All you can pray is apple, apple, apple; all you can think is one at a time, one more.

Twiggy remains of goldfinch nests are bound with trellis twine. Leaves fall into your bag. Snowgeese blow away on the first sharp north wind.

You don’t pick for money or pleasure or fruit, you pick because it’s there, because the crop must come in.

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Here is a day of apple picking at its bleakest. The harvest is nearly over, the weather is cold and wet, and the speaker is worn down to the bare minimum. Singing and chatter have stopped. The body takes over: sore red hands, damp jeans, soaked boots, and careful reminders about the bag straps and lifting with the thighs.

The speaker tries to think about bigger things, like war, money and friends' troubles, and even tries to pray, but the mind narrows to one word, "apple," and one aim, "one more." Small details of the season, such as old goldfinch nests, falling leaves and geese leaving, show the year turning toward winter.

The ending is quiet and stubborn. The speaker isn't working for money, pleasure or even fruit, but because "the crop must come in." The mood is tired, bare and determined, with a plain kind of dignity in simply finishing the job.

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