BEING THE DRAGON ON THE FOURTH OF JULY — Summary

Mary F. C. PrattJuly 4, 2007Cheerful

They see our feet below the drapes of cloth, the stripes of purple, green, yellow. They watch our careful steps. The red-tongued dragon dips and dances down the street. They see our human feet.

Outside the air grows warm. We follow in parade inside the glittering worm, this mask that hands have made. Under the dragon’s shade, dancing the dragon’s path, we breathe our human breath.

“O, the dragon,” they say, those people standing by, but we are far away, here in another sky; we’ve risen in the air above temporal things, aloft on dragon wings.

Inside we are a world untroubled by the rest. Over our heads we hold the dragon, manifest its benediction. Blessed– and blessing all–we rise seeing through dragon eyes.

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Here the speaker is one of the people carrying a parade dragon through the street on the Fourth of July, hidden under its cloth. From outside, onlookers see only the dancers' feet beneath the purple, green and yellow drapes, and they call out "O, the dragon." But inside, the speaker's experience is very different. The costume becomes a private world, and the poem moves from the practical, human details of careful steps and warm air to a feeling of lifting off.

By the last stanza, the dragon is almost a blessing. The group holds it overhead, and the speaker feels both blessed and able to bless others. The mood is joyful, dreamy and a little sacred. Repeated rhymes and echoing words, like "human feet" and "human breath," keep the rhythm light, like dance steps. The poem suggests that putting on a mask can free people from ordinary concerns and let them see the world in a new way.

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