A PHOTO OF BORIS — Summary

Mary F. C. PrattContemplative

There is no Boris in the family tree.

I found the photo in a box in a closet. On the back, in Nana’s scrawl, the one word: “Boris.”

A little boy, perhaps two years old, standing on the seat of a chair against a drapery. His hair was parted and neat. He wore a dark jacket and pants, sturdy shoes.

They’d put a hoop around his neck. In one hand, he held a stick like the ones big boys used to turn a hoop along a road. His expression was puzzled, alarmed: Why do they want me standing here, with a hoop around my neck?

So many photos in the box: People from the Old Country around a table. People haying on the farm in East Germany., A uniformed man—maybe the cousin who went down with his ship in 1945. Onkel Herman, Onkel Hans’s wife, Pa and Frieda.

And Boris.

I tossed the unlabeled ones. A kind of sacrilege, but they pile up, those anonymous people, in their grainy imaginary places.

But I could not cast Boris. away. What was he doing there, with Paulina and August and Wanda, Great-grandfather Joseph, Tante Helen, and Nana herself, stout in her printed dress, standing with the nameless Sunday School teachers in front of the Cleveland Lutheran Church.

Show the whole poemHide the poem

Learn Poems app

Try the Learn Poems app

Everything from the website trainer, and more: new exercises, voice recording and sharing, reminders, quick review.

A woman sorting through old family photos finds one labeled only "Boris," a name that appears nowhere in her family tree. The picture shows a toddler in neat clothes, standing on a chair with a hoop around his neck, looking puzzled and a little alarmed. The speaker imagines his thought: why am I here like this?

Around him are the labeled relatives, from farm workers to a church group, and she has thrown away the anonymous photos, which she admits feels like sacrilege. Boris she can't discard. The mood is gentle, curious and slightly wistful. The poem suggests how quickly people fade into mystery, and how a single word in Nana's handwriting can keep a stranger alive. The speaker seems to feel a tender kinship with the confused child, and her unanswered question at the end leaves him, and the past, unresolved.

Read also

More by Mary F. C. Pratt

All poems
InspiredMary F. C. Pratt

EARTH MOTHERS

In caves and museums she’s pregnant, or sitting with a baby hanging from her breast. Or she’s a giant on a throne, piles of fruit stacked on her huge thighs.
CheerfulMary F. C. Pratt

LIKE BUGS AND WEEDS

It grows, multiplies in the dark of its own accord like bugs: aphids appear out of nowhere on sunflower leaves and orange milkweed. Thousands of golden squash bug eggs,