SIX WORDS, SIX STANZAS — Summary

Mary F. C. PrattContemplative

The steamer trunk might have been my grandfather’s, but I don’t remember seeing it in his dark little room that smelled like old clocks.

If I sit for a long time in this chair the right words will appear. Like magic. Despite the evidence, I still believe

that. Believing in anything now takes a toll. There doesn’t seem to be a god, for instance, who gives a shit about us.

It’s August. The dawn chorus is over for the year. Sometimes, one dusty robin lands on the lawn and hops around. The worms

have burrowed down under. Everyone is exhausted by the heat, the drought, the plague, waiting and waiting for some kind of relief.

My grandfather had a small life, and yet he made himself a bit of joy. Magic tricks. Walks. Old friends. Keeping all those clocks ticking.

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The speaker sits in a chair, hoping the right words will arrive, and admits that this hope is a little foolish. Faith of any kind feels costly now, and the poem is blunt about it: there doesn't seem to be a god who cares. Around that doubt, the season presses in. It's August, the birds have stopped singing, and a lone robin hops across a lawn while the worms hide from the dry ground. Everyone is worn out by heat, drought and plague, all waiting for relief.

Then the poem turns to a grandfather the speaker barely remembers, starting with a trunk that may or may not have been his. His life was small, yet he made room for joy: magic tricks, walks, old friends, and keeping clocks ticking. The mood is tired and bleak at first, but it softens. The poem seems to find a quiet answer to despair in his modest example, and in the speaker's own stubborn habit of sitting and waiting for words.

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