Tournament — Summary

Our parents bind a riband in the forehead rivaling some type of blessing. We smile as still smiles- the Bolivian Football team's poster covering a void in the dining room.

Nothing surprises in a first match.

At a fair time you recognize who wants more: To win the ball and the right to win the ball, To blow the candles while shredding your lungs, To find gifts under the pine without a name and a claimer, To date the girl who changed seats in class, shifted school, moved out of town to finally remember you, To drink the rum that someone left in the counter bar thinking of you along the bum that watches his car, To have fame in the hood of being who should not be or having kicked that ball at a fair time.

Following a new whistle, the shadow of who you were while learning to run after the ball has not yet scored but celebrates facing the TV's zapping and the world cup chromos.

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Pablo Espinoza Lafuente's "Tournament" looks back at childhood through the language of football. It opens with a family scene: parents tie a ribbon around a child's forehead like a small blessing, and everyone smiles stiffly beneath a Bolivian team poster that hides a gap on the dining room wall. That poster seems to cover something missing, though the poem doesn't say what.

The middle section is a list of wants: winning the ball, blowing out birthday candles, getting an unlabeled gift, being remembered by a girl, earning a bit of local fame. The speaker suggests that a "fair time" reveals who truly wants more, and the wants are all small, human, and a little lonely.

The ending shifts to adulthood. The shadow of the child who learned to run after the ball hasn't scored yet, but still celebrates while watching TV and collecting World Cup stickers. The mood is tender and wistful, with a touch of ironic sadness: the dream lives on, but mostly from the sofa.

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