The speaker begins with a question: when two bodies come together, is it love or war, creation or combat? The poem argues that the two are hard to tell apart, like fireworks and bombs, and that it hardly matters which one breaks the darkness. Death waits either way, and the speaker imagines the couple fading into a smudge of ink on a forgotten envelope in a bureaucrat's pile.
That bureaucrat becomes the poem's odd centerpiece. Grey and ink-blooded, he spills his coffee while distracted by a woman's blouse, and that small, silly moment is all that remains of the big questions. The speaker suggests that knowing how we love or fight is useless without knowing why, just as spilled coffee means nothing without the distraction that made it memorable.
The mood is wry, restless, and a little weary. Jokes and sudden tenderness sit beside fear. The ending, with its shrug about curiosity and kittens, accepts not knowing and chooses to keep living inside the uncertainty.