The Black Angel [Observatory] — Summary

SkapandeAnxious

A silent spirit falls upon the air. Our movements, executed with short thought, Exist to fool ourselves that They aren't there. Bombardment rains around us, each shell wrought By hands of foreign death. Through Luck or Chance This haven somehow our front men have bought The fire draws close with sudden immanence. We leap as one from beds of straw and fear And rush the field, our violence our defence. The fighting is ignoble; grenadiers Eliminate the honour from the charge. We sense it in the actions of our peers. Against the blackened earth, our camouflage Is mud and blood and our Creator's dust – Our eyes are shaded with a dark mirage. The sound that drowns us out could soon combust; It mixes with the smell of sulphur fumes, Dull pains, cold steel, the taste of death like rust. And suddenly, it dies – as we assume. If only this whole conflict followed suit, Perhaps we'd soon forget this rotting tomb. But shining hope like this was rendered moot Since yesterday. Five hundred more are dead And still we fast remain, an Iron Youth. We eat like hounds, retreating to our beds, And as the spirit falls, the sky glows red.

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Told from the point of view of a soldier, the poem follows a single attack at the front. It begins with an eerie hush, then shells fall and the men spring from their straw beds to charge across the field. The speaker admits their violence is their only defence, and that grenades have stripped the honour from fighting. Mud, blood and dust cover them, and the air fills with the smell of sulphur and the taste of "death like rust."

When the noise suddenly stops, the speaker wishes the whole war would end as easily, but that hope is already spoiled: five hundred more are dead. The men carry on, calling themselves an "Iron Youth," and eat like hounds before sleeping.

The mood is tense, exhausted and numb. The speaker sounds hardened but not at peace. The closing image of a red sky, with the "silent spirit" falling again, suggests the cycle of fear and killing is about to start over. The poem's rhyme scheme, which links each stanza to the next, feels like the war's endless repetition.

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