“…a greater weight in the region of her heart.” — Summary

Gathered together beneath the clear plastic canopy of a deformed & leafless tree, the elderly & the mentally inadequate stand & wait in the 12:30 rain

of a blue-grey Summer without sun.

we are

the intricate accidents

unfolding within the periphery of your vision

The number 52 bus arrives, & leading our small procession of damaged people-things, is the Carer attending to his temporary children;

careful to shepherd them safely to their seats he fails to notice me & gently we collide…

this man is in possession of the happiest eyes

& the saddest smile that I have ever seen

He says:

“Sorry! Sorry, sorry.”

as if it were his life’s refrain.

I say:

“No, no, it’s fine…”

but my mumbled reply doesn’t reach him, his concentration is for better things for the people other people secretly wish were not there to see…

because the broken things bear witness to an unbearable weakness;

to all of the ungracious, hidden little pieces within us:

they are the uncanny light in the eyes of other Apes,

they are the inevitable smell of piss & the trembling lips

of old age,

they are the mucus that runs down your philtrum

when you cry.

We are the flat & hollow sensation of every planned occasion that has failed us.

The number 52 bus returns to movement, & before I fall into my seat, before he spills into his there is between us a silent, complicit pact:

a pathetic, futile, beautiful act of defiance against the endless, fucking desperate tragedy

of living as an animal haunted by words in a world that does not care at all.

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A speaker waits for the number 52 bus in the rain, among elderly and mentally disabled people and the carer looking after them. When the bus arrives, the speaker and the carer bump into each other. He apologises again and again, and the speaker's muttered reply goes unheard. The poem uses this tiny, awkward moment to say something much bigger.

The speaker sees these "damaged people-things" as a reminder of what most of us would rather not look at: frailty, bodily shame, the way we all break down eventually. The tone shifts from dry, observant description to anger and tenderness. The carer's "happiest eyes" and "saddest smile" suggest a person who holds joy and sorrow together. By the end, the two men share a silent understanding, a small act of defiance against a world that, in the speaker's bleak view, "does not care at all." The mood is raw, compassionate and unflinching, with a stubborn glimmer of beauty in it.

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