Scissor, Paper — Summary

Dave BontaCheerful

It started with angels: a chain gang, joined at the wings. Or children holding hands, their blank faces & androgynous bodies ready for the magic of markers. Seven to eight, it seems, was the Age of Paper. In the lunchroom, older boys passed on the lore of cootie catchers & diamond-shaped footballs folded from a notebook page. Back in class, we made snowflakes & taped them to the high classroom windows, bait for the gods of snow & early dismissal. In December, we draped the blackboard & doorway with Christmas chains, red linked with green linked with red, & come February, learned the simplest cut of all: the craft-paper heart. This time, though green might’ve seemed more apt, only red would do. The teacher showed us how to turn them into cards with the addition of a recipient’s name on the outside & some simple message hidden in the fold, making a virtue of the necessary, indelible crease.

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Dave Bonta looks back at a year of childhood, around age seven or eight, when paper seemed to be everything. The speaker remembers paper angels joined at the wings, cootie catchers, folded footballs, snowflakes taped to classroom windows, and chains of red and green for Christmas. Each memory is small and ordinary, the kind of detail that makes a school day feel real again.

The tone is warm and gently amused. The snowflakes as "bait for the gods of snow & early dismissal" show a child's hopeful logic, remembered with affection. The poem ends on the February heart, where red is the only color that "would do," and the teacher shows the children how to hide a message in the fold. The last lines turn the craft into a quiet idea: a crease can't be undone, but it can be made useful, even lovely. The speaker seems to suggest that some marks, like some memories, are permanent, and that's not a bad thing.

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