Chorus.—She is a winsome wee thing,
She is a handsome wee thing,
She is a lo’esome wee thing,
This dear wee wife o’ mine.
I NEVER saw a fairer,
I never lo’ed a dearer,
And neist my heart I’ll wear her,
For fear my jewel tine,
She is a winsome, &c.
The warld’s wrack we share o’t;
The warstle and the care o’t;
Wi’ her I’ll blythely bear it,
And think my lot divine.
She is a winsome, &c.
I GAED a waefu’ gate yestreen,
A gate, I fear, I’ll dearly rue;
I gat my death frae twa sweet een,
Twa lovely een o’bonie blue.
’Twas not her golden ringlets bright,
Her lips like roses wat wi’ dew,
Her heaving bosom, lily-white—
It was her een sae bonie blue.
She talk’d, she smil’d, my heart she wyl’d;
She charm’d my soul I wist na how;
And aye the stound, the deadly wound,
Cam frae her een so bonie blue.
But “spare to speak, and spare to speed;”
She’ll aiblins listen to my vow:
Should she refuse, I’ll lay my dead
To her twa een sae bonie blue.
My dearest Love, since thou wilt go,
And leave me here behind thee;
For love or pity, let me know
The place where I may find thee.
AMARIL. In country meadows, pearl'd with dew,
And set about with lilies;
There, filling maunds with cowslips, you
May find your Amarillis.
HER. What have the meads to do with thee,
Or with thy youthful hours?
Live thou at court, where thou mayst be
The queen of men, not flowers.
Let country wenches make 'em fine
With posies, since 'tis fitter
For thee with richest gems to shine,
And like the stars to glitter.
Beauty no other thing is, than a beam
Flash'd out between the middle and extreme.
Among the myrtles as I walk'd
Love and my sighs thus intertalk'd:
Tell me, said I, in deep distress,
Where I may find my Shepherdess?
--Thou fool, said Love, know'st thou not this?
In every thing that's sweet she is.
In yond' carnation go and seek,
There thou shalt find her lip and cheek;
In that enamell'd pansy by,
There thou shalt have her curious eye;
In bloom of peach and rose's bud,
There waves the streamer of her blood.
--'Tis true, said I; and thereupon
I went to pluck them one by one,
To make of parts an union;
But on a sudden all were gone.
I dreamed that, as I wandered by the way,
Bare Winter suddenly was changed to Spring,
And gentle odours led my steps astray,
Mixed with a sound of waters murmuring
Along a shelving bank of turf, which lay
Under a copse, and hardly dared to fling
Its green arms round the bosom of the stream,
But kissed it and then fled, as thou mightest in dream.
There grew pied wind-flowers and violets,
Daisies, those pearled Arcturi of the earth,
The constellated flower that never sets;
Faint oxslips; tender bluebells, at whose birth
The sod scarce heaved; and that tall flower that wets--
Like a child, half in tenderness and mirth--
Its mother's face with Heaven's collected tears,
Under a lawn, than skies more clear,
Some ruffled Roses nestling were,
And snugging there, they seem'd to lie
As in a flowery nunnery;
They blush'd, and look'd more fresh than flowers
Quickened of late by pearly showers;
And all, because they were possest
But of the heat of Julia's breast,
Which, as a warm and moisten'd spring,
Gave them their ever-flourishing.
O my Luve's like a red, red rose
That's newly sprung in June;
O my Luve's like the melodie
That's sweetly played in tune.
As fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a' the seas gang dry:
Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun;
I will luve thee still, my dear,
While the sands o' life shall run.
And fare thee weel, my only Luve,
And fare thee weel awhile!
And I will come again, my Luve,
Tho' it ware ten thousand mile.
("PROMETHEUS UNBOUND", ACT 4.)
As a violet's gentle eye
Gazes on the azure sky
Until its hue grows like what it beholds;
As a gray and empty mist
Lies like solid amethyst
Over the western mountain it enfolds,
When the sunset sleeps
Upon its snow;
As a strain of sweetest sound
Wraps itself the wind around
Until the voiceless wind be music too;
As aught dark, vain, and dull,
Basking in what is beautiful,
Is full of light and love--
Life is the body's light; which, once declining,
Those crimson clouds i' th' cheeks and lips leave shining:-
Those counter-changed tabbies in the air,
The sun once set, all of one colour are:
So, when death comes, fresh tinctures lose their place,
And dismal darkness then doth smutch the face.
No fault in women, to refuse
The offer which they most would chuse.
--No fault: in women, to confess
How tedious they are in their dress;
--No fault in women, to lay on
The tincture of vermilion;
And there to give the cheek a dye
Of white, where Nature doth deny.
--No fault in women, to make show
Of largeness, when they're nothing so;
When, true it is, the outside swells
With inward buckram, little else.
--No fault in women, though they be
But seldom from suspicion free;
--No fault in womankind at all,
If they but slip, and never fall.
If one could have that little head of hers
Painted upon a background of pure gold,
Such as the Tuscan's early art prefers!
No shade encroaching on the matchless mould
Of those two lips, which should be opening soft
In the pure profile; not as when she laughs,
For that spoils all: but rather as if aloft
Yon hyacinth, she loves so, leaned its staff's
Burden of honey-colored buds to kiss
And capture 'twixt the lips apart for this.
Then her little neck, three fingers might surround,
How it should waver on the pale gold ground
Up to the fruit-shaped, perfect chin it lifts!
I know, Correggio loves to mass, in rifts
Of heaven, his angel faces, orb on orb
Breaking its outline, burning shades absorb: