You Cannot Live On Words Alone — Summary

Jessea L. VaughanContemplative

Unless you are dust in the wind, For that's all words are good for After their meaning Has been forgotten. You cannot expect To dine on promises, For they provide no nourishment. All they can give you Is a momentary sense of security And a temporary feeling Of trust in the other person. And this only lasts Until they have either been Fulfilled or swept out Into the sea Of events forgotten And phrases left unsaid And past dreams left to wither. You cannot hope to obtain energy Simply from the memories You have of events decades past Of which you are quite fond, For they cannot give you the strength To survive a day or hour You cannot simply make a meal Of doubts and insecurities. Such things cannot be consumed In lieu of dinner. Such things can only gnaw on happiness Until you are simply A sad starving shell Of the person you could have become. And how can you rely Upon a diet of dialogues, Descriptions, Delusions, And declarations? Such things are fine on paper Or in a conversation But they cannot be used As a substitute For food and water. Though you wish you could, You cannot live on words alone.

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Jessea L. Vaughan's poem makes one blunt point and keeps coming back to it: words are not food. The speaker lists things people lean on, such as promises, fond memories, even their own doubts, and says none of them can sustain a person. Promises give "a momentary sense of security," but they fade once they're fulfilled or forgotten. Memories can't give you strength for the next hour. Doubts don't nourish anyone; they "gnaw on happiness" until only "a sad starving shell" remains.

The tone is plain, almost weary, like someone who has been let down before and is tired of pretending otherwise. The repeated "you cannot" sounds like a lecture, yet the last line, "Though you wish you could," lets some longing slip through. The speaker seems to want words to be enough. The list of "dialogues, / Descriptions, / Delusions, / And declarations" is a small moment of wordplay, lumping honest speech in with self-deception. The mood is sober and a little sad, but it is also practical: dreams and promises matter only if something real follows.

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