Far from March 415 — Summary

"You don't question what you believe, but I must." How far we have come from March 415! They won't stone us or burn us at the stake now, Flay our skin with broken bits of pottery. That was over a hundred years ago. No wait, fifty -- Or was it perhaps twenty? Definitely at least ten years ago. Or was it two? Doesn't matter. Time is of no consequence. It is not for you. Today's special is slut-shaming Bold red on the multi cuisine menu. It was much in demand yesterday too. Yesterday's special was slut-shaming - It's an everyday special Least expensive meal on the tattered, dog-eared menu. Don't ask me about tomorrow. I won't come back. Not even for you. Did you hear, over your shots of hemlock? They have been rewriting the clauses Of the Charter that bound me to him With a lock of Persephone's hair. Slut is just another word for woman now. Shame is just another one of those things We carry in our backpacks and leather totes, Cluttering, eating space, Smelling of a week-old bouquet of roses from yesterday's treacherous fine print. You were not supposed to be. It was not supposed to be you. You cannot tell them, Hypatia, that you disagree You cannot let them know that you know as much as you know Or, in fact, that you know - For they fear that the truth shall set you free. Their lies are not worth you.

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The title points to March 415, and the poem addresses Hypatia, the philosopher of Alexandria, whom the speaker treats as a woman punished for thinking. The opening lines celebrate how far society has supposedly come, since no one is stoned or burned now. But the speaker quickly undercuts that claim. Her muddled counting of years, from a hundred down to two, suggests the distance is smaller than it looks, and that time changes little.

The central image is a restaurant menu where "slut-shaming" is the daily special, cheap and always available. That turns cruelty into something routine and casual. The speaker sounds bitter and weary, mixing dark humor with grief. Shame becomes something women carry around like a bag, stale and unwanted.

The ending turns tender and urgent. The speaker tells Hypatia to hide what she knows, because the truth frightens people, then insists that their lies are not worth her. The mood is angry, sad, and quietly protective.

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