«I can say I'm better now.» — Summary

I can say I'm better now. I'm not how I used to be; I've stopped for now. I say now because it's an urge To indulge myself in sin. To turn around And drown myself in self pity. I was so sick, So very sick and nothing could stop my spiraling downwards. I'm better now though. I'm better for myself. Even though I still feel unwell at times, I still feel like I can't take the sight of myself for long periods of time; I can at least say I have gotten rid of that poisoned half I used to call myself. I was able to leave the sickness behind, but somehow it finds it's way back. I just want to be pretty, all I want is to be so damn pretty! I blame myself. Then I go deeper in the hole. I feel that emptiness That anxious shake That heat flash followed by a cold chill. They said I wouldn't be able to shake it off all at once, But I wanted it to at least stop for a longer period of time. I don't want to fall apart now. I've been doing so good before. But then I start to think and think and think and think and want and desire and crave-! "Stop thinking that way!" It's so hard, you have no idea how hard it is. I look into the mirror everyday Do you know what I see? I see a girl. A familiar stranger; That one person you know their face but forgot their name. I want to cry when I see her because I can't seem to remember her face then she would ask me: "Do you feel pretty today?" No, of course not.

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The speaker is trying to recover from something that has left them hating how they look and how they see themselves. The poem never names it, but the sickness, the cravings, and the obsession with being "so damn pretty" suggest a struggle with body image, possibly tied to disordered habits. That is an inference from the text rather than something stated.

What stands out is how unsteady the progress feels. The speaker keeps saying "I'm better now," yet quickly admits the urge is still there and the sickness "finds its way back." The shaky, repeated "think and think and think" shows a mind that can't switch off, while the physical details, the shake and the heat followed by a chill, make the pull feel bodily. The ending is the saddest part. The mirror shows a "familiar stranger," and when asked if she feels pretty, the answer is a flat "No, of course not." The mood is tired, honest, and quietly painful, with a thin thread of hope.

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